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008 | 190517s19981998quca b 001 0 eng | ||
010 | _a 00455360 | ||
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_z9780773560754 _q(ePDF) |
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020 |
_a9780773517042 _q(hardback) |
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_a9780773517752 _q(paperback) |
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040 |
_aDLC _cDLC _dDLC _dTR-IsMEF _beng _erda |
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041 | 0 | _aeng | |
042 | _apcc | ||
049 | _aTR-IsMEF | ||
050 | 0 | 0 |
_aNA500 _b.C6 1998 |
100 | 1 |
_aCollins, Peter, _d1920-1981, _eauthor. |
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245 | 1 | 0 |
_aChanging ideals in modern architecture, 1750-1950 / _cPeter Collins. |
250 | _aSecond edition. | ||
264 | 1 |
_aMontreal ; _aIthaca : _bMcGill-Queens University Press, _c1998. |
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264 | 4 | _a©1998 | |
300 |
_a308 pages : _billustrations ; _c26 cm. |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 301) and indexes. | ||
520 | _aCollins explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the impact that social forces and the other arts and sciences had on architectural styles while recognizing the tectonic continuities that underlie the seeming ruptures between pre-modern, modern, and post-modern approaches to design. His work is infused with a deep sympathy for the classical spirit of the eighteenth century and he argued rigorously and passionately that Enlightenment ideas could be of real value to the architects of his generation, particularly since technology had made it possible to use them effectively. Collins's plea for sensitivity to tradition and the urban fabric while encouraging technological innovation and unprecedented programs makes his thought just as vital today as it was ahead of its time when first published. Collins had long wished to see an affordable, fully illustrated edition of his book and McGill-Queen's University Press and the McGill School of Architecture are proud to at long last fulfil this wish. The new edition includes a biographical sketch of Collins, a brief publication history of the work, and an introductory essay by Kenneth Frampton that discusses the importance of the work at the time it was first published and highlights its relevance for the architectural problems of today. Like the classic works of Hitchcock, Giedion, Pevsner, and Benevolo, Changing Ideals in Modern Architecture is essential reading and forms a striking contrast with other works on modernism, such as Reyner Banham's. It will be pertinent to all those interested in architectural history and theory, modern history, history of ideas, and aesthetics. | ||
650 | 0 | _aArchitecture, Modern | |
900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
910 | _aHomer | ||
942 |
_2lcc _cBKS |
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970 | 0 | 1 | _tContents. |
970 | 0 | 1 | _aContents. |
970 | 0 | 1 |
_tForeword to the second edition by Kenneth frampton, _pvii. |
970 | 0 | 1 |
_tNotes on the publication of changing ideals in modern architecture by annmarie adams, _pxv. |
970 | 0 | 1 |
_tPreface by John Bland, _pxxi. |
970 | 0 | 1 |
_tAcknowledgments, _pxxiii. |
970 | 0 | 1 |
_tİllustrations, _pxxv. |
970 | 0 | 1 |
_tIntroduction, _p15. |
970 | 1 | 2 | _tRomanticism. |
970 | 1 | 1 |
_l1 _tRevolutionary architecture, _p21. |
970 | 1 | 1 |
_l2 _tThe influence of historiography, _p29. |
970 | 1 | 1 |
_l3 _tThe influence of the pictueesque, _p42. |
970 | 1 | 2 | _tRevivalism. |
970 | 1 | 1 |
_l4 _tThe Awareness of styles, _p61. |
970 | 1 | 1 |
_l5 _tPrimitivism and progress, _p67. |
970 | 1 | 1 |
_l6 _tThe roman revival, _p70. |
970 | 1 | 1 |
_l7 _tThe greek revival, _p79. |
970 | 1 | 1 |
_l8 _tThe renaissance revival, _p96. |
970 | 1 | 1 |
_l9 _tGoyhic nationalism, _p100. |
970 | 1 | 1 |
_l10 _tGothic ecclesiology and social reform, _p106. |
970 | 1 | 1 |
_l11 _tPolychromy, _p111. |
970 | 1 | 1 |
_l12 _tEclecticism, _p117. |
970 | 1 | 1 |
_l13 _tThe demand for a new architecture, _p128. |
970 | 1 | 2 | _tFunctonalism. |
970 | 1 | 1 |
_l14 _tThe biological analogy, _p149. |
970 | 1 | 1 |
_l15 _tThe mechanical analogy, _p159. |
970 | 1 | 1 |
_l16 _tThe gastronomic analogy, _p167. |
970 | 1 | 1 |
_l17 _tThe linguistic analogy, _p173. |
970 | 1 | 2 | _tRationalism. |
970 | 1 | 1 |
_l18 _tThe influence of civil and military engineers, _p185. |
970 | 1 | 1 |
_l19 _tRationalism, _p198. |
970 | 1 | 1 |
_l20 _tNew planning problems, _p218. |
970 | 1 | 2 | _tThe influence of the allied arts. |
970 | 1 | 1 |
_l21 _tThe influence of literature and criticism, _p243. |
970 | 1 | 1 |
_l22 _tThe influence of industrial design, _p265. |
970 | 1 | 1 |
_l23 _tThe influence of painting and sculpture, _p271. |
970 | 1 | 1 |
_l24 _tNew concepts of space, _p285. |
970 | 0 | 1 |
_tEpilogue, _p295. |
970 | 0 | 1 |
_tBibliographical note, _p301. |
970 | 0 | 1 |
_tIndex of illustrations, _p303. |
970 | 0 | 1 |
_tIndex of text, _p305. |
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