000 05941nam a2201009 i 4500
001 992782049
003 KOHA
005 20250314120113.0
008 250211s2017 nyua ob 001 0 eng d
020 _a9781137518446
_q(eBook)
020 _z9781137521651
_a(hardback)
040 _aYDX
_beng
_erda
_epn
_cYDX
_dN$T
_dEBLCP
_dN$T
_dOCLCO
_dUAB
_dAZU
_dOCLCF
_dMERER
_dESU
_dOCLCQ
_dWAU
_dCOO
_dOCL
_dOCLCQ
_dIOG
_dTR-IsMEF
041 0 _aeng
050 4 _aNC730
_b.G746 2017
100 1 _aGrennan, Simon
_eauthor.
245 1 2 _aA theory of narrative drawing /
_cSimon Grennan
264 1 _aNew York, NY, U.S.A. :
_bPalgrave Macmillan,
_c2017.
264 4 _c©2017
300 _axii, 277 pages :
_billustrations ;
_c25 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
490 1 _aPalgrave studies in comics and graphic novels.
504 _aIncludes bibliographical references (pages 251-261) and index (pages 263-277).
520 0 _aThis book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations
650 0 _aNarrative art
650 0 _aDrawing
_xTechnique
830 0 _aPalgrave studies in comics and graphic novels.
_957829
900 _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910 _aPandora.
942 _2lcc
_cBKS
_01
970 0 1 _aContents
970 1 2 _lDrawing, depicting and imagining
_p1.
970 1 2 _l1.1
_tDrawing's devices,,
_p1.
970 1 1 _l1.1.1
_tCauses and consequences : an actiological characterisation of drawing,
_p1.
970 1 1 _l1.1.2
_tGeneralising some potential resources of the human body,
_p14.
970 1 1 _l1.1.3
_tGeneralising the role of environmental and social modulations,
_p24.
970 1 2 _l1.2
_tDrawing's affordances,
_p28.
970 1 1 _l1.2.1
_tGraphiotactic realistaionof the general potential resources of the body,
_p28.
970 1 1 _l1.2.2
_tVisual language,
_p37.
970 1 1 _l1.2.3
_tDepiction,
_p48.
970 1 2 _l1.3
_tDrawing's instution,
_p61.
970 1 1 _l1.3.1
_tAn instutional description of the general potential resources of the body,
_p62.
970 1 1 _l1.3.2
_tAffect,
_p64.
970 1 1 _l1.3.3
_tThe body as cause and consequence,
_p66.
970 1 1 _l1.3.4
_tExamples of the visible representations of non-propositional structures,
_p70.
970 1 1 _l1.3.5
_tExamples of the visible representatşons of emotional sensations,
_p74.
970 1 2 _l1.4
_tImagining,
_p88.
970 1 1 _l1.4.1
_tTheorising perception and visualisation,
_p88.
970 1 1 _l1.4.2
_tProperties and categories,
_p94.
970 1 1 _l1.4.3
_tFiction,
_p98.
970 1 2 _l1.5
_tConventional imagining,
_p102.
970 1 1 _tNotes,
_p106.
970 1 2 _l2
_tNarrative,
_p121.
970 1 2 _l2.1
_tThe intersubjective basis of discourse,
_p121.
970 1 2 _l2.2
_tNarrative realisation of intersubjects,
_p135.
970 1 1 _l2.2.1
_tFurther implications of an actiological characterisation of representations,
_p142.
970 1 1 _l2.3
_tAn epistomological system of discourse characterised as narrative,
_p146.
970 1 1 _tNotes,
_p156.
970 1 2 _l3
_tDrawing demonstration one: expounding another's thought in the style of that thought,
_p161.
970 1 2 _l3.1
_t"Mediagenius" and the comic strip register,
_p162.
970 1 1 _l3.1.1
_tThe comic strip register's "mediagenius" and intersubjectivity,
_p166.
970 1 2 _l3.2
_tSelf and self perception,
_p172.
970 1 2 _l3.3
_tThe theoretically neural subject,
_p173.
970 1 2 _l3.4
_tTerms of drawing demonstration one,
_p178.
970 1 1 _l3.4.1
_tDrawing demonstration one,
_p174.
970 1 1 _l3.4.2
_tDrawing demonstration one (a) method,
_p180.
970 1 1 _l3.4.3
_tDrawing demonstration one (a) analysis,
_p189.
970 1 1 _l3.4.4
_tDrawing demonstration one (b) method and analysis,
_p189.
970 1 1 _l3.4.5
_tDemonstration one (c) method and analysis,
_p200.
970 1 1 _l3.4.6
_tDrawing demonstration one conclusion,
_p212.
970 1 1 _tNotes,
_p215.
970 1 2 _l4
_tDrawing demonstration two: time and self-observation,
_p217.
970 1 1 _l4.1
_tPierre Menard's project,
_p218.
970 1 1 _l4.2
_tSeth, Arno and Brown,
_p222.
970 1 1 _l4.3
_tAppropriation,
_p224.
970 1 1 _l4.3.1
_tLevine and evans,
_p226.
970 1 1 _l4.4
_tSelf observation and social consensus,
_p229.
970 1 1 _l4.6
_tDrawing demonstration two,
_p239.
970 1 1 _l4.6.1
_tDrawing demonstration two method,
_p240.
970 1 1 _l4.6.2
_tDrawing demonstration two analysis,
_p243.
970 1 1 _tNotes,
_p248.
970 1 1 _lCorrection to:
_tA theory of narrative drawing,
_pC1.
970 0 1 _p251.
_aBibliography,
970 0 1 _p263.
_aIndex,
999 _c38297
_d38297