| 000 | 03020nam a2200517 i 4500 | ||
|---|---|---|---|
| 003 | KOHA | ||
| 005 | 20240605172118.0 | ||
| 008 | 240429s2001 sz aed b 000 0 eng d | ||
| 020 |
_a9783764364496 _q(paperback) |
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| 040 |
_aTR-IsMEF _beng _cTR-IsMEF _erda _dTR-IsMEF |
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| 041 | 1 |
_aeng _hita |
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| 049 | _aTR-IsMEF | ||
| 050 | 0 | 0 |
_aML3849 _b.B36 2001 |
| 100 | 1 |
_aBandur, Markus, _eauthor. |
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| 240 | 1 | 0 |
_6Estetica del serialismo integrale. _lTurkish |
| 245 | 1 | 0 |
_aAesthetics of total serialism : _bcontemporary research from music to architecture / _cMarkus Bandur. |
| 264 | 1 |
_aBasel : _bBirkhèauser, _c2001. |
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| 264 | 1 |
_aItaly : _bTCF. |
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| 300 |
_a93 pages : _billustrations, charts, photographs ; _c19 cm. |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 91-93). | ||
| 520 | 0 |
_aTotal serialism as a concept, has progressed beyond the twelve-tone technique of composers Schoenberg and Webern, and since the 1950s it has been constantly developed. Today, it refers to far more than just a technical process for composing, rather it offers one possibility of creatively integrating knowledge on man and nature into works of art. On all levels of artificial, man-made creations - from musical compositions to architectonic designs - it allows properties and dimensions to be systematically organised, with criteria such as mass and proportions playing decisive roles. Markus Bandur (born in 1960) studied science of music, philosophy and history and now teaches at the universities of Freiburg i.Br, Berne and Kassel
-backover- _uhttps://www.amazon.com/Aesthetics-Total-Serialism-Contemporary-Architecture/dp/3764364491 |
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| 650 | 0 | _aMusic and architecture | |
| 650 | 0 | _aSerialism (Music) | |
| 650 | 7 |
_aArchitecture _xAesthetics |
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| 650 | 0 | _aDeconstructivism (Architecture) | |
| 900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
| 920 |
_aİnceoğlu, Arda, _edonor. |
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| 942 |
_2lcc _cBKS |
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| 970 | 0 | 1 | _aContents |
| 970 | 1 | 1 |
_tCommon Principles - Divided Arts?, _p5. |
| 970 | 1 | 1 |
_tBeyond Words, Inside Terms, _p9. |
| 970 | 1 | 1 |
_tAesthetic Presence of Things Past: Ideologies and Techniques, _p13. |
| 970 | 1 | 1 |
_tThe Curse of Success or the ''End of Art'', _p16. |
| 970 | 1 | 1 |
_tSimulation, Real Life and the ''Counter-world'' (Gegenwelt), _p18. |
| 970 | 1 | 1 |
_tMusic and Feelings: The Techniques of Manipulation, _p20. |
| 970 | 1 | 1 |
_t''Quoth the Raven: 'Nevermore''' Composing New Music after 1950, _p29. |
| 970 | 1 | 1 |
_tAvoiding ''Subjects'', or The Achievements of Musical Serialism, _p41. |
| 970 | 1 | 1 |
_tSerial Thinking, _p51. |
| 970 | 1 | 1 |
_t''Plug & Compose'' : Electronic Music, _p64. |
| 970 | 1 | 1 |
_tArts under Deconstruction, _p74. |
| 970 | 0 | 1 |
_aBibliography, _p91. |
| 999 |
_c37173 _d37173 |
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