000			05192nam a2200865 i 4500
001			9926826323506421
003			KOHA
005			20240923121807.0
008			240418s1998 enk 001 0 eng d
020			_a0198742371 _q(paperback)
020			_a0198711298 _q(hardback)
040			_aDLC _beng _cDLC _dC#P _dUKM _dBAKER _dNLGGC _dYDXCP _dBTCTA _dGZT _dOCLCG _dHEBIS _dZWZ _dDEBSZ _dDEBBG _dBDX _dOCLCO _dOCLCF _dNLE _dOCLCQ _dOCLCO _dDHA _dEZ9 _dYBM _dCEF _dOCLCA _dCSO _dBOS _dXFF _dTYC _dMUO _dCTL _dPAU _dFQG _dVLW _dOCLCQ _dCPO _dOCLCO _dCSA _dEUM _dSNN _dNJR _dBUB _dINT _dQE2 _dCRU _dOCLCQ _dOL$ _dOCLCO _dBGU _dOCLCO _dJG0 _dAU@ _dOCLCO _dOCLCQ _dWYU _dUKMGB _dOCLCQ _dUWO _dLVT _dUKUOY _dIOG _dYOU _dHV6 _dOCLCQ _dCWI _dGDC _dOCLCQ _dEZC _dLGG _dOCLCQ _dUWW _dCBA _dAZM _dMMC _dTJC _dNJT _dAZN _dUK5EZ _dOCLCQ _dOCLCO _dOCLCQ _dOCLCO _dDCT _dOCLCA _dLUN _dIL4J6 _dOCLCO _dSAB _dOCLCO _dNKM _dOCLCO _dOCLCL _dOCLCQ _dOCLCL _dTR-IsMEF _erda
041	0		_aeng
050	0	0	_aNX180.M3 _bC37 1998
100	1		_aCarroll, Noël, _d1947- _eauthor.
245	1	2	_aA philosophy of mass art / _cNoël Carroll.
264		1	_aOxford : _bClarendon Press ; _aNew York : _bOxford University Press, _c1998.
264		4	_c©1998
300			_axii, 425 pages ; _c24 cm.
336			_2rdacontent _atext
337			_2rdamedia _aunmediated
338			_2rdacarrier _avolume
500			_a"Dedicated to Arthur Danto"
504			_aIncludes bibliographical references and index (pages 419-425).
520	0		_aWe live in a world surrounded by mass art. Movies, TV, pulp literature, comics, rock music--both broadcast and recorded--surround us everywhere. Yet despite the fact that for the majority of people mass art supplies the primary source of aesthetic experience, the area has been neglected entirely by analytical philosophers of art. In this pathbreaking new book, a leading philosopher of art provides an accessible and wide-ranging look at the topic. Noel Carroll shows why philosophers have previously resisted and/or misunderstood mass art and he develops frameworks for understanding the relation of mass art to the emotions, morality, and ideology. He also discusses the major theories of such pivotal figures as Collingwood, Adorno, Benjamin, McCluhan, and Fiske. Mixing conceptual analysis with many vivid examples, Carroll forges the first significant attempt at a philosophy of mass art, concluding that there are strong grounds for approaching mass art in the same fashion as high art. _uhttps://www.amazon.com/Philosophy-Mass-Art-No%C3%ABl-Carroll/dp/0198742371/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=
650		0	_aMass media and the arts
650		0	_aPopular culture
900			_aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
920			_aArda İnceoğlu, _edonor.
942			_2lcc _cBKS
970	0	1	_aContents
970	0	1	_aIntroduction, _p1.
970	1	2	_l1. _tPhilosophical Resistance to Mass Art: The Majority Tradition, _p15.
970	1	1	_tIntroduction, _p15.
970	1	1	_tThe Massification Argument, _p16.
970	1	1	_tThe Passivity Argument, _p30.
970	1	1	_tThe Formula Argument, _p49.
970	1	1	_tThe Freedom Argument, The Susceptibility Argument, and the Conditioning Argument, _p70.
970	1	1	_lConcluding Remarks: _tA Diagnosis of Philosophy's Resistance to Mass Art, _p89.
970	1	2	_l2. _tPhilosophical Celebrations of Mass Art: The Minority Tradition, _p110.
970	1	1	_tIntroduction, _p110.
970	1	1	_tWalter Benjamin and the Work of Art in the Age of Mechanical Reproduction, _p114.
970	1	1	_tMarshall McLuhan and the Electronic Future, _p145.
970	1	1	_tConcluding Remarks, _p168.
970	1	2	_l3. _tThe Nature of Mass Art, _p172.
970	1	1	_tIntroduction, _p172.
970	1	1	_tThe Elimination Theory of Mass Art, _p176.
970	1	1	_tDefining Mass Art, _p184.
970	1	1	_tThe Ontology of Mass Art, _p211.
970	1	1	_tDavid Novitz's Theory of Mass Art, _p222.
970	1	1	_tJohn Fiske's Rejection of the Concept of Mass Art, _p236.
970	1	1	_tConcluding Remarks, _p242.
970	1	2	_l4. _tMass Art and the Emotions, _p245.
970	1	1	_tIntroduction, _p245.
970	1	1	_tPlato versus the Cognitive Theory of the Emotions, _p250.
970	1	1	_tCriterial Prefocusing: An Alternative to Identification, _p261.
970	1	1	_tRamifications for Research, _p270.
970	1	1	_tFiction and the Emotions, _p272.
970	1	1	_tBut What About Mass Art? _p275.
970	1	1	_tConcluding Remarks, _p288.
970	1	2	_l5. _tMass Art and Morality, _p291.
970	1	1	_tIntroduction, _p291.
970	1	1	_tConseguentialism, Propositionalism, and Identificationism, _p294.
970	1	1	_tClarificationism, _p319.
970	1	1	_tSimulation, or Back to Identification? _p342.
970	1	1	_tConcluding Remarks, _p356.
970	1	2	_l6. _tMass Art and Ideology, _p260.
970	1	1	_tIntroduction, _p360.
970	1	1	_tA Theory of Ideology, _p364.
970	1	1	_tIdeology and Rhetoric, _p388.
970	1	1	_tConcluding Remarks, _p410.
970	0	1	_p413. _aEnvoi,
970	0	1	_p419. _aIndex,
999			_c37123 _d37123