000 | 03295nam a2200457 i 4500 | ||
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001 | 934100132 | ||
003 | KOHA | ||
005 | 20220511095306.0 | ||
008 | 220511s2017 wauabe b 001 0 eng d | ||
020 |
_a9780884024132 _q(hardback) |
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040 |
_aDLC _beng _erda _cDLC _dOCLCO _dOCLCQ _dOCLCF _dYDX _dBTCTA _dYDX _dOCLCO _dOBE _dOSU _dUtOrBLW _dT9K _dTR-IsMEF |
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041 | _atur | ||
049 | _aTR-IsMEF | ||
050 | 0 | 0 |
_aDS156.C3 _bO87 2017 |
100 | 1 |
_aOusterhout, Robert G., _eauthor. |
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245 | 1 | 0 |
_aVisualizing community : _bart, material culture, and settlement in Byzantine Cappadocia / _cRobert G. Ousterhout ; designed and typeset by Melisa Tandysh. |
264 | 1 |
_aWashington, D.C. : _bDumbarton Oaks Research Library and Collection, _c2017. |
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264 | 4 | _c©2017. | |
300 |
_axxv, 532 pages : _billustrations (chiefly color), map, plans ; _c29 cm. |
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336 |
_atext _2rdacontent. |
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337 |
_aunmediated _2rdamedia. |
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338 |
_avolume _2rdacarrier. |
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490 | 1 |
_aDumbarton Oaks studies ; _v46. |
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504 | _aIncludes bibliographical references (pages 497-507) and index (pages 509-532). | ||
505 | 0 | 0 | _aTABLE OF CONTENTS: |
520 | 0 |
_aCappadocia, a picturesque volcanic region of central Anatolia, preserves the best evidence of daily life in the Byzantine Empire and yet remains remarkably understudied, better known to tourists than to scholars. The area preserves an abundance of physical remains: at least a thousand rock-cut churches or chapels, of which more than one-third retain significant elements of their painted decoration, as well as monasteries, houses, entire towns and villages, underground refuges, agricultural installations, storage facilities, hydrological interventions, and countless other examples of non-ecclesiastical architecture. In dramatic contrast to its dearth of textual evidence, Cappadocia is unrivaled in the Byzantine world for its material culture.
Based upon the close analysis of material and visual residues, Visualizing Community offers a critical reassessment of the story and historiography of Byzantine Cappadocia, with chapters devoted to its architecture and painting, as well as to its secular and spiritual landscapes. In the absence of a written record, it may never be possible to write a traditional history of the region, but, as Robert Ousterhout shows, it is possible to visualize the kinds of communities that once formed the living landscape of Cappadocia. _uhttps://www.doaks.org/resources/publications/books/visualizing-community |
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650 | 0 |
_aExcavations (Archaeology) _zTurkey |
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650 | 0 |
_aArchitecture, Byzantine _zTurkey _zCappadocia |
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650 | 0 |
_aMural painting and decoration, Byzantine _zTurkey _zCappadocia |
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651 | 0 |
_aCappadocia (Turkey) _xAntiquities |
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651 | 0 |
_aCappadocia (Turkey) _xCivilization |
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700 | 1 |
_aTandysh, Melisa, _ebook designer _etypesetter. |
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830 | 0 |
_aDumbarton Oaks studies ; _v46. |
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910 | _aHomer Kitabevi | ||
942 |
_2lcc _cBKS |
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970 | 1 | 1 |
_l1. _tArchitecture, _tChurches and Chapels, _p23. |
970 | 1 | 1 |
_l2. _tPainting in its contexts, _p177. |
970 | 1 | 1 |
_l3. _tVisualizing community, _tConstructing a social history of Cappadocia, _p271. |
970 | 1 | 1 |
_l4. _tLandscapes of commemoration, _tMonasteries and cemeteries, _p371. |
999 |
_c29656 _d29656 |