000 | 04972nam a2201021 i 4500 | ||
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003 | KOHA | ||
005 | 20241025133803.0 | ||
008 | 220416s2013 us a 001 0 eng d | ||
020 |
_a9780300244229 _q(paperback) |
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040 |
_aTR-IsMEF _beng _cTR-IsMEF _erda |
||
041 | 0 | _aeng | |
050 |
_aNA859.B37 _bL55 2013 |
||
100 | 1 |
_aLima, Zeuler Rocha Mello de Almeida, _eauthor. |
|
245 | 1 | 0 |
_aLina Bo Bardi / _cZeuler R. M. de A. Lima ; foreword by Barry Bergdoll ; cover illustration Salvador ; photograph by Zeuler R. Lima. |
264 | 1 |
_aNew Haven : _aLondon : _bYale University Press, _c2013. |
|
264 | 3 |
_aChina : _bRegent Publishing Services Ltd. |
|
264 | 4 | _c©2013 | |
300 |
_a239 pages : _billustrations, photographs ; _c27 cm. |
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336 |
_atext _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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500 | _a"The work is the death mask of its conception." - Walter Benjamin, One-Way Street, 1928" | ||
504 | _aIncludes bibliographical references (pages 217-233) ans pages (234-239). | ||
505 | 0 | _aPrologue. | |
505 | 0 | _aA Girl in Pants. | |
505 | 0 | _aOn Becoming an Architect. | |
505 | 0 | _aPaper Architecture. | |
505 | 0 | _aBasta! | |
505 | 0 | _aAn Odyssey and an Enterprise. | |
505 | 0 | _aFrom War Ruins to Culture Clashes. | |
505 | 0 | _aVentures and Adventures in Design. | |
505 | 0 | _aBetween Crisis and Opportunity. | |
505 | 0 | _aTheory and Action. | |
505 | 0 | _aEyes Wide Open. | |
505 | 0 | _aBetween Two Worlds. | |
505 | 0 | _aIrreverence at Work. | |
505 | 0 | _aLegacies to Be Remembered. | |
505 | 0 | _aA Museum Within Everyone's Reach. | |
505 | 0 | _aEveryday Theater. | |
505 | 0 | _aRehearsing an Anthropological Quest. | |
505 | 0 | _aA Bowl of Soup for the People. | |
505 | 0 | _aA Rugged Field, a Hefty Crop. | |
505 | 0 | _aThis Is Not a Tourist City. | |
505 | 0 | _aA Wonderful Tangle. | |
505 | 0 | _aEpilogue. | |
520 | 0 |
_aOne of the most important architects of the twentieth century, Lina Bo Bardi (1914–1992) was remarkably prolific and intriguingly idiosyncratic. A participant in the efforts to reshape Italian culture in her youth, Bo Bardi immigrated to Brazil in 1946, where her practice evolved within the social and cultural realities of her adopted country. While she continued to work with industrial materials, she added simple building techniques and naturalistic forms to her designs, striving to create large, multiuse spaces that promoted public life.
Lina Bo Bardi is the first comprehensive study of the architect’s life and work. Author Zeuler Lima, the leading authority on Bo Bardi, presents her activities on two continents, examining how ethical and social considerations influenced her intellectual engagement with modern architecture and providing an indispensable guide to her writings and her experimental, iconic designs.--backover. _uhttps://www.amazon.com/Lina-Bo-Bardi-Zeuler-Lima/dp/0300244223 |
|
600 | 0 |
_aBardi, Lina Bo, _d1914-1992 _vExhibitions |
|
600 | 1 | 0 |
_aBardi, Lina Bo, _d1914-1992. _tWorks |
650 | 7 | _aArchitecture | |
700 | 1 |
_aBergdoll, Barry, _eforeword. |
|
700 | 1 |
_aSalvador, _ecover designer. |
|
700 | 1 |
_aR. Lima, Zeuler, _ephotographer. |
|
900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
910 | _aHomer Kitabevi | ||
942 |
_2lcc _cBKS _04 |
||
970 | 0 | 1 | _aContents. |
970 | 0 | 1 |
_tForeword by Barry Bergdoll, _pvii. |
970 | 0 | 1 |
_aPreface, _pxi. |
970 | 0 | 1 |
_aAcknowledgments, _pxiv. |
970 | 1 | 1 |
_tPrologue, _p2. |
970 | 1 | 1 |
_tA Girl in Pants, _p5. |
970 | 1 | 1 |
_tOn Becoming an Architect, _p12. |
970 | 1 | 1 |
_tPaper Architecture, _p19. |
970 | 1 | 1 |
_tBasta!, _p27. |
970 | 1 | 1 |
_tAn Odyssey and an Enterprise, _p36. |
970 | 1 | 1 |
_tFrom War Ruins to Culture Clashes, _p44. |
970 | 1 | 1 |
_tVentures and Adventures in Design, _p52. |
970 | 1 | 1 |
_tBetween Crisis and Opportunity, _p66. |
970 | 1 | 1 |
_tTheory and Action, _p73. |
970 | 1 | 1 |
_tEyes Wide Open, _p83. |
970 | 1 | 1 |
_tBetween Two Worlds, _p91. |
970 | 1 | 1 |
_tIrreverence at Work, _p101. |
970 | 1 | 1 |
_tLegacies to Be Remembered, _p112. |
970 | 1 | 1 |
_tA Museum Within Eveyone's Reach, _p122. |
970 | 1 | 1 |
_tEveryday Theater, _p138. |
970 | 1 | 1 |
_tRehearsing an Anthropological Quest, _p146. |
970 | 1 | 1 |
_tA Bowl of Soup for the People, _p158. |
970 | 1 | 1 |
_tA Rugged Field, a Hefty Crop, _p175. |
970 | 1 | 1 |
_tThis Is Not a Tourist City, _p185. |
970 | 1 | 1 |
_tA Wonderful Tangle, _p202. |
970 | 1 | 1 |
_tEpilogue, _p213. |
970 | 0 | 1 |
_aAppendix _p214. |
970 | 0 | 1 |
_aAbbreviations, _p216. |
970 | 0 | 1 |
_aNotes, _p217. |
970 | 0 | 1 |
_aIndex, _p234. |
970 | 0 | 1 |
_aIllustrations Credits, _p240. |
999 |
_c29590 _d29590 |