| 000 | 03004nam a2200625 i 4500 | ||
|---|---|---|---|
| 003 | KOHA | ||
| 005 | 20220527055831.0 | ||
| 008 | 220408s2014 enka b 000 0deng d | ||
| 020 |
_a9780714867052 _q(paperback) |
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| 040 |
_aHKUT _beng _cTR-IsMEF _dTR-IsMEF _erda |
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| 041 | _aeng | ||
| 050 | 0 | 0 |
_aN6923.B5937 _bM66 2014 |
| 245 | 0 | 0 |
_aMonica Bonvicini / _c[survey by] Janet Kraynak, [interview by] Alexander Alberro, [focus by] Juliane Rebentisch. |
| 264 | 1 |
_aLondon : _bPhaidon Press Ltd., _c2014. |
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| 264 | 4 | _c©2014 | |
| 300 |
_a158 pages : _billustrations (chiefly colour) ; _c30 cm. |
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| 336 |
_atext _2rdacontent |
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| 336 |
_astill image _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aContemporary Artists. | |
| 500 | _aFormerly CIP. |5 Uk | ||
| 504 | _aIncludes bibliographical references (pages 155-157). | ||
| 505 | 0 | _aInterview: Alexander Alberro in conversation with Monica Bonvicini. | |
| 505 | 0 | _aSurvey. The architecture of history: On the art of Monica Bonvicini. | |
| 505 | 0 | _aFocus. Convolutions: On the logic of ornamentation in the work of Monica Bonvicini. | |
| 505 | 0 | _aArtist's choice. | |
| 505 | 0 | _aArtist's writings. | |
| 520 | _aThe most comprehensive monograph on the work of Monica Bonvicini. | ||
| 600 | 1 | 0 |
_aBonvicini, Monica, _d1965- _xCriticism and interpretation. |
| 650 | 0 |
_aInstallations (Art) _y21st century |
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| 650 | 0 |
_aArt, Modern _y21st century |
|
| 700 | 1 |
_aKraynak, Janet, _eauthor. |
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| 700 | 1 |
_aAlberro, Alexander, _einterviewer. |
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| 700 | 1 |
_aRebentisch, Juliane, _d1970- _eauthor. |
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| 700 | 1 | 2 |
_aBonvicini, Monica, _cWorks Selections _d1965- |
| 830 | 0 | _aContemporary Artists. | |
| 900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
| 910 | _aHomer Kitabevi | ||
| 942 |
_2lcc _cBKS |
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| 970 | 1 | 1 |
_lInterview, _tAlexander Alberro in Conservation with Monica Bonvicini, _p007. |
| 970 | 1 | 1 |
_lSurvey, _tJanet Kraynak, The Architecture of History: On the Art of Monica Bonvicini, _p045. |
| 970 | 1 | 1 |
_lFocus, _tJuliane Rebentisch, Convolutions: On the Logic of Ornamentation in the Artwork of Monica Bonvicini, _p099. |
| 970 | 1 | 1 |
_lArtist's Choice, _tFranz Kafka, Lambent Traces, 1922, _p114. |
| 970 | 1 | 1 |
_tErik H. Erikson, Childhood and Society, 1950, _p116. |
| 970 | 1 | 1 |
_tGregory Corso, Last Night I Drove a Car, 1958, _p121. |
| 970 | 1 | 1 |
_tThomas Bernhard, The Lime Works, 1973, _p122. |
| 970 | 1 | 1 |
_tPatricia Highsmith, The Hand, 1974, _p124. |
| 970 | 1 | 1 |
_tPeter Eisenman, An Architectural Design: Interview by Charles Jencks, 2002, _p126. |
| 970 | 1 | 1 |
_tArtist's Writings, _p129. |
| 970 | 1 | 1 |
_tFumetto Otherwise, 1996, _p130. |
| 970 | 1 | 1 |
_tPlayboy vs. Beatnick, 2003, _p133. |
| 970 | 1 | 1 |
_tDoes Architecture Makes You Sick?, 2005, _p136. |
| 999 |
_c29547 _d29547 |
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