000 04209nam a2200589 i 4500
003 KOHA
005 20241106145038.0
008 220406m20101998enka b 000 0 eng d
020 _a9780714836607
_q(paperback)
040 _aINT
_cINT
_dWaOLN
_dHKUT
_dTR-IsMEF
_beng
_erda
041 _aeng
050 _aN7276.8.H38
_bA4 2010
100 1 _aArcher, Michael,
_d1954-
_eauthor.
245 1 0 _aMona Hatoum /
_cMichael Archer, Guy Brett, Catherine de Zegher.
264 1 _aLondon :
_bPhaidon Press,
_c2010.
264 4 _c©2010
300 _a159 pages :
_billustrations ;
_c29 cm.
336 _2rdacontent
_atext
337 _2rdamedia
_aunmediated
338 _2rdacarrier
_avolume
505 0 _aArtists's Choice.
505 0 _aArtist's Writings.
520 0 _aBorn in the Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid 1970s and where, in 1995, she was nominated for the prestigious Turner Prize. Through performance, video, sculpture and installation she creates architectonic spaces which relate to the body, language and the condition of exile. One of her most spellbinding and best known works is a video installation titled Corps etranger, where the spectator enters a small pavilion and takes a visual journey through all the orifices of the artist's body. Such works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial and otherness. Hatoum's many international exhibitions include the Centre Georges Pompidou, in Paris (1994); her work tours extensively to museums throughout the United States in 1997. The distinguished British critic Guy Brett, explores key themes around a sense of place, the body and communication which emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni. The book also includes Hatoum's own notes, statements and previous interviews.
_uhttps://www.amazon.com/Mona-Hatoum-Contemporary-Artists-Phaidon/dp/0714836605
600 1 0 _aHatoum, Mona,
_d1952-
700 1 _aArcher, Michael,
_eauthor.
700 1 _aBrett, Guy.
_eauthor.
700 1 _aZegher, M. Catherine de.
_eauthor.
900 _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910 _aHomer Kitabevi
942 _2lcc
_cBKS
970 0 1 _aContents
970 1 2 _tInterview.
970 1 1 _tMichael Archer in conversation with Mona Hatoum,
_cMichael Archer,
_fArcher, Michael,
_p6.
970 1 2 _tSurvey.
970 1 1 _tItinerary,
_cGuy Brett,
_fBrett, Guy,
_p32.
970 1 2 _tFocus.
970 1 1 _tHatoum's Recollection: About Losing and Being Lost,
_cCatherine de Zegher,
_fZegher, Catherine de,
_p88.
970 1 2 _tArtist's Choice.
970 1 1 _tFor a Discovery of a Zone of Images,1957,
_cPiero Manzoni,
_fManzoni, Piero,
_p108.
970 1 1 _tReflections on Exile,
_cEdward Said,
_fSaid, Edward,
_p110.
970 1 2 _tArtist's Writings.
970 1 1 _tProposal for new Contemporaries, Waterworks,1981,
_cMona Hatoum,
_fHatoum, Mona,
_p116.
970 1 1 _tSlade School of Art, Waterworks,
_cMona Hatoum,
_fHatoum, Mona,
_p117.
970 1 1 _tLook No Body!, 1981,
_cMona Hatoum,
_fHatoum, Mona,
_p119.
970 1 1 _tDo-It Home Version, 1996,
_cMona Hatoum,
_fHatoum, Mona,
_p121.
970 1 1 _tUnder Seige, 1982,
_cMona Hatoum,
_fHatoum, Mona,
_p122.
970 1 1 _tInterview with Sara Diamond, 1987,
_cMona Hatoum,
_fHatoum, Mona,
_p124.
970 1 1 _tInterview Claudia Spinelli, 1996,
_cMona Hatoum,
_fHatoum, Mona,
_p134.
970 0 1 _tChronology,
_p144.
970 0 1 _t& Bibliography, List of Illustrations,
_p158.
999 _c29532
_d29532