000			03273nam a2200409 i 4500
001			99125343839106421
003			KOHA
005			20240219114550.0
008			220517s2007 maua b 001 0 eng d
020			_a9780262524650 _q(paperback)
040			_aMiAaPQ _cMiAaPQ _dMiAaPQ _dTR-IsMEF _beng _erda
041			_aeng
050		4	_aN72.A75 _bB78 2007
100	1		_aBruno, Giuliana, _eauthor.
245	1	0	_aPublic intimacy : _barchitecture and the visual arts / _cGiuliana Bruno.
264		1	_aCambridge, Massachusetts : _bMIT Press, _c2007.
264		4	_b©2007
300			_axii, 239 pages : _billustrations ; _c21 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
490	1		_aWriting architecture series.
500			_a"For Annette Michelson"
504			_aIncludes bibliographical references (pages 215-235) and index (pages 237-239).
520	0		_aAn examination of architecture and art as a screen of vital cultural memory that considers museum culture, visual technology, and the border of public and private space. In this thoughtful collection of essays on the relationship of architecture and the arts, Giuliana Bruno addresses the crucial role that architecture plays in the production of art and the making of public intimacy. As art melts into spatial construction and architecture mobilizes artistic vision, Bruno argues, a new moving space—a screen of vital cultural memory—has come to shape our visual culture. Taking on the central topic of museum culture, Bruno leads the reader on a series of architectural promenades from modernity to our times. Through these "museum walks," she demonstrates how artistic collection has become a culture of recollection, and examines the public space of the pavilion as reinvented in the moving-image art installation of Turner Prize nominees Jane and Louise Wilson. Investigating the intersection of science and art, Bruno looks at our cultural obsession with techniques of imaging and its effect on the privacy of bodies and space. She finds in the work of artist Rebecca Horn a notable combination of the artistic and the scientific that creates an architecture of public intimacy. Considering the role of architecture in contemporary art that refashions our "lived space"—and the work of contemporary artists including Rachel Whiteread, Mona Hatoum, and Guillermo Kuitca—Bruno argues that architecture is used to define the frame of memory, the border of public and private space, and the permeability of exterior and interior space. Architecture, Bruno contends, is not merely a matter of space, but an art of time. _uhttps://mitpress.mit.edu/books/public-intimacy
546			_aEnglish
650		0	_aArt and architecture
650		0	_aArt and motion pictures
830		0	_aWriting architecture. _947740
900			_aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910			_aÇağlayan Kitabevi
942			_2lcc _cBKS _02
970	1	2	_tRecollected Spaces.
970	1	2	_tScientific Scenographies.
970	1	2	_tFabrics Of Time.
999			_c27553 _d27553