000			04994nam a2200649 i 4500
001			011136180
003			UkOxU
005			20241128111912.0
008			220420s1994 maua 001 0 eng d
010			_aLC 94-33012
020			_a9780262121828 _q(hardback)
020			_a9780262621052 _q(paperback)
040			_aTR-IsMEF _beng _cTR-IsMEF _erda _dTR-IsMEF
041			_aeng
050			_aNA737.L96 _bA3 1994
100	1		_aLyndon, Donlyn, _eauthor.
245	1	0	_aChambers for a memory palace / _cDonlyn Lyndon and Charles W. Moore ; with illustrations by the authors.
264		1	_aCambridge, Massachusetts : _bMIT Press, _c1994.
264		4	_c©1994
300			_axiv, 322 pages : _billustrations ; _c22 cm.
336			_2rdacontent _atext
337			_2rdamedia _aunmediated
338			_2rdacarrier _avolume
500			_aIncludes index (pages 311-322).
505	0		_aThemes.
505	0		_aCompositions.
520	0		_aSummary This ode to the spirit of place consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations. This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations—the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed. Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In "Axes that Reach/Paths that Wander," Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In "Orchards that Measure/Pilasters that Temper," they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places. _uhttps://mitpress.mit.edu/books/chambers-memory-palace
600	1	0	_aMoore, Charles W., _d1925-1993 _xCorrespondence.
600	1	0	_aLyndon, Donlyn, _xCorrespondence.
650		0	_aArchitects _zUnited States _xCorrespondence
650		0	_aArchitecture _xComposition, proportion, etc.
700	1		_aMoore, Charles W., _d1925-1993. _eauthor _eillustrator.
900			_aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910			_aPandora
942			_2lcc _cBKS _01
970	0	1	_aAcknowledgments, _pix.
970	0	1	_aIntroduction, _pxi.
970	1	2	_tThemes.
970	1	1	_l1 _tAxes that reach / paths that wander, _p2.
970	1	1	_l2 _tOrchards that measure / pilasters that temper, _p28.
970	1	1	_l3 _tPlatforms that separate / slopes that join / stairs that climb and pause, _p50.
970	1	1	_l4 _tBorders that control / walls that layer / pockets that offer choice and change, _p78.
970	1	1	_l5 _tOpenings that frame / portals that bespeak, _p98.
970	1	1	_l6 _tRoofs that encompass / canopies that center, _p122.
970	1	1	_l7 _tMarkers that command / allies that inhabit, _p148.
970	1	1	_l8 _tLight that plays / shadow that haunts / shade that lulls, _p176.
970	1	2	_tCompositions.
970	1	1	_l9 _tRooms that define / space that leaks up into the light, _p192.
970	1	1	_l10 _tTypes that recur / order that comes and goes, _p214.
970	1	1	_l11 _tShapes that recur / order that comes and goes, _p214.
970	1	1	_l12 _tGardens that civilize, _p252.
970	1	1	_l13 _tWater that pools and connects, _p264.
970	1	1	_l14 _tImages that motivate, _p282.
970	1	1	_tPostscript: the castello di garngonza, _p296.
970	0	1	_aIndex, _p311.
999			_c25732 _d25732