000 06170nam a2200877 i 4500
001 020332689
003 KOHA
005 20220405140000.0
008 220302m20152019tu oh b 001 0 eng d
020 _a9786055250461
_q(paperback)
040 _aRBN
_beng
_erda
_cRBN
_dRBN
_dOCLCO
_dCUY
_dOCLCO
_dUkOxU
_dTR-IsMEF
041 1 _aeng
_htur
050 1 4 _aTR113.5
_b.C36 2019
240 1 _aCamera Ottomana, Osmanlı İmparatorluğu'nda fotoğraf ve modernite, 1840-1914.
_lEnglish
245 1 0 _aCamera Ottomana :
_bphotography and modernity in the Ottoman Empire, 1840-1914 /
_cedited by Zeynep Çelik, Edhem Eldem ; translation, Hande Eagle ; photographs by Murat Akar, Hadiye Cangökçe ; book design Işıl Ünal, Oya Çiftçi.
250 _aSecond edition: İstanbul, July 2019.
264 1 _aIstanbul :
_bKoç University Press,
_c2019.
264 3 _aİstanbul :
_bOfset Yapımevi.
264 4 _c©2015
300 _a255 pages :
_bphotographs, facesimiles ;
_c24 cm.
336 _atext
_2rdacontent
336 _astill image
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
500 _a"This book has been published on the occasion of the exhibition 'Camera Ottomana: Photography and Modernity in the Ottoman Empire, 1840-1914', at Koç University Research Center for Anatolian Civilizations, Istanbul, April 21-August 19th, 2015"-- Page 3.
504 _aIncludes bibliographical references (pages 246-251) and index (pages 252-255).
520 0 _aFrom its birth in 1839, photography has participated in modernity as much as it has symbolized it. Its capacity to record and display and its claim to accuracy and truth intricately linked the new technology to the dynamism of the modern world. The Ottoman Empire embraced photography with great enthusiasm. In fact, the impact and meaning of photography were compounded with the thrust of modernization and westernization of the Tanzimat movement. By the turn of the century, photography in the Ottoman lands had become a standard feature of everyday life, of public media, and of the state apparatus. This volume explores some of the most striking aspects of the close connection between photography and modernity with a particular focus on the Ottoman Empire. Much of the material concerns the display of modernity through photography, as was so often the case in the photographs and albums commissioned by the Sultan to showcase his empire for Western audiences. Nevertheless, modernity was often embedded in the photographic act, transforming it into a common and mundane practice. Be it in the form of images disseminated through the illustrated press, postcards sent out to family members or anonymous collectors, portraits presented to friends and acquaintances, or pictures taken of employees and convicts, photography had started to invade practically every sphere of public and private life. The visual world we live in today was born some 150 years ago. Edited by professors Zeynep Celik and Edhem Eldem, Camera Ottomana is both a homage to, and a critical assessment of, the local dimension of one of the most potent and transformative technological inventions of the recent past. 215 photographs and illustrations.
_uhttps://www.abebooks.com/9786055250461/camera-ottomana-photography-modernity-ottoman-6055250462/plp
546 _aTranslation of: Camera Ottomana, Osmanlı İmparatorluğu'nda fotoğraf ve modernite, 1840-1914.
650 0 _aPhotography
_zTurkey
_xHistory
_y19th century
650 0 _aPhotography
_xSocial aspects
_zTurkey
_xHistory
_y19th century
650 0 _aPhotography in historiography
651 0 _a Turkey
_xHistory
_yOttoman Empire, 1288-1918
_vPictorial works.
651 0 _aİstanbul (Turkey)
_xHistory
_y19th century
_vPictorial works
651 0 _aIstanbul (Turkey)
_xSocial life and customs
700 1 _aÇelik, Zeynep,
_eeditor.
700 1 _aEldem, Edhem,
_eeditor.
700 1 _aEagle, Hande,
_d1984-
_etranslator.
700 1 _aAkar, Murat,
_ephotographer.
700 1 _aCangökçe, Hadiye,
_ephotographer.
700 1 _aÜnal, Işıl,
_ebook designer.
700 1 _aÇiftçi, Oya,
_ebook designer.
700 1 _aphotographs by Murat Akar, Hadiye Cangökçe ; book designer Işıl Ünal, Oya Çiftçi.
900 _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910 _aPandora
942 _2lcc
_cBKS
970 0 1 _aNote on Spelling, Transliteration, and Dates,
_p006.
970 0 1 _aAcknowledgments,
_p007.
970 0 1 _aIntroduction,
_p008.
970 1 1 _tTransffering Antiquity to Ink- Ruins from the Americas to Asia Minor and the Development of Photolithography,
_cFrances Terpak & Peter Bonfitto ,
_fTerpak Frances & Bonfitto Peter,
_p020.
970 1 1 _tThe Origins and development of photography in İstanbul,
_cBahattin Öztuncay,
_fÖztuncay, Bahattin ,
_p066.
970 1 1 _tPowerful Images- The Dissemination and Impact of Photography in the Ottoman Empire, 1870-1914,
_cEdhem Eldem,
_fEldem, Edhem,
_p106.
970 1 1 _tPhotographing Mundane Modernity,
_cZeynep Çelik,
_fÇelik, Zeynep,
_p154.
970 1 2 _tAlbum.
970 1 1 _tpolitical change,
_p206.
970 1 1 _tAbdülhamid as paterfamilias,
_p208.
970 1 1 _tOttoman exoticism,
_p210.
970 1 1 _tBookish Portraits,
_p212.
970 1 1 _tAmateur Photographers,
_p214.
970 1 1 _tBad Boys,
_p216.
970 1 1 _tFormal Order,
_p218.
970 1 1 _tPhotography at the Service of Art,
_p220.
970 1 1 _tForeign Dignitaries in the empire,
_p222.
970 1 1 _tA Taste for Folklore,
_p224.
970 1 1 _tAppropriating Antiquities,
_p226.
970 1 1 _tOrientalist Reality,
_p226.
970 1 1 _tServing Science and Scholarship,
_p228.
970 1 1 _tPersonalized photo Cards,
_p232.
970 1 1 _tAbidin the Snitch,
_p234.
970 1 1 _tPrivate Albums, Public Spaces,
_p236.
970 1 1 _tForbidden Kitsch,
_p238.
970 1 1 _tUnity in Diversity,
_p240.
970 0 1 _aContributors,
_p242.
970 0 1 _aBibliography,
_p246.
970 0 1 _aIndex,
_p252.
999 _c25683
_d25683