000 | 02918nam a2200421 i 4500 | ||
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003 | KOHA | ||
005 | 20220921085716.0 | ||
008 | 220301s2016 nyuao 000100teng d | ||
020 |
_a9781138887541 _q(hardback) |
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020 |
_a9781138104334 _q(paperback) |
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040 |
_aTR-IsMEF _btur _cTR-IsMEF _erda |
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041 | 0 | _heng | |
050 |
_aNA6750.C65 _bG596 2016 |
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100 | 1 |
_aNielsen, David, _eauthor. |
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245 | 1 | 0 |
_aBruno Taut’s design inspiration for the glashaus / _cDavid Nielsen. |
250 | _aFirst published 2016. | ||
264 | 1 |
_aNew York : _bRoutledge, Taylor & Francis Group, _c2016. |
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264 | 4 | _c©2016 | |
300 |
_a239 pages : _billustrations, photographs ; _c23 cm. |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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490 | 1 | _aRoutledge Research in Architecture. | |
520 | 0 |
_aAs a formative exemplar of early architectural modernism, Bruno Taut’s seminal exhibition pavilion the Glashaus (literally translated Glasshouse) is logically part of the important debate of rethinking the origins of modernism. However, the historical record of Bruno Taut’s Glashaus has been primarily established by one art historian and critic. As a result the historical record of the Glashaus is significantly skewed toward a singlular notion of Expressionism and surprisingly excludes Taut’s diverse motives for the design of the building.
In an effort to clarify the problematic historical record of the Glashaus, this book exposes Bruno Taut’s motives and inspirations for its design. The result is that Taut’s motives can be found in yet unacknowledged precedents like the botanical inspiration of the Victoria regia lily; the commercial interests of Frederick Keppler as the Director of the Deutche Luxfer Prismen Syndikat; and imitation that derived openly from the Gothic. The outcome is a substantial contribution to the re-evaluation of the generally accepted histories of the modern movement in architecture. _uhttps://www.routledge.com/Bruno-Taut-s-Design-Inspiration-for-the-Glashaus/Nielsen/p/book/9781138104334 |
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600 | 1 | 0 |
_aTaut, Bruno, _d1880-1938, |
610 | 2 | 0 | _aGlashaus (Deutsche Werkbund-Ausstellung, 1914, Cologne, Germany) |
650 | 0 |
_aTaut Bruno _xCriticism and interpretation _y1880-1938 |
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830 | 0 | _aRoutledge Research in Architecture. | |
900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
910 | _aPandora | ||
942 |
_2lcc _cBKS |
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970 | 1 | 2 |
_l1 _tIntroduction, _p1. |
970 | 1 | 2 |
_l2 _tThe client: Frederick Keppler, _p10. |
970 | 1 | 2 |
_l3 _tVictoria regia's bequest to the Glashaus, _p68. |
970 | 1 | 2 |
_l4 _tBruno taut and the Gothic, _p125. |
970 | 1 | 2 |
_l5 _tConclusion, _p163. |
999 |
_c25646 _d25646 |