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003 | KOHA | ||
005 | 20220321100946.0 | ||
008 | 220228s2019 maua 001 0 eng d | ||
020 |
_a9780262039437 _q(hardback) |
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_aDLC _beng _erda _cDLC _dDLC _dUkOxU _dTR-IsMEF |
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041 | _aeng | ||
050 | 0 | 0 |
_aBH301.P64 _bA39 2019 |
245 | 0 | 0 |
_aAesthetics equals politics : _bnew discourses across art, architecture, and philosophy / _ceditor Mark Foster Gage ; managing editor Matt Shaw. |
264 | 1 |
_aCambridge, Massachusetts : _bThe MIT Press, _c2019. |
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264 | 4 | _c©2019 | |
300 |
_aviii, 317 pages : _billustrations ; _c24 cm. |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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505 | 0 | _aI. The New Foundation of Aesthetic Discourse. | |
505 | 0 | _aII. Framing the Aesthetic. | |
505 | 0 | _aIII. Aesthetics and The Politics of Practice. | |
505 | 0 | _aIV. Aesthetic Alternatives. | |
520 | 0 |
_aHow aesthetics—understood as a more encompassing framework for human activity—might become the primary discourse for political and social engagement.
These essays make the case for a reignited understanding of aesthetics—one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the “critical” stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed.
The contributors—philosophers, media theorists, artists, curators, writers and architects including such notable figures as Jacques Rancière, Graham Harman, and Elaine Scarry—build a compelling framework for a new aesthetic discourse. The book opens with a conversation in which Rancière tells the volume's editor, Mark Foster Gage, that the aesthetic is “about the experience of a common world.” The essays following discuss such topics as the perception of reality; abstraction in ethics, epistemology, and aesthetics as the “first philosophy”; Afrofuturism; Xenofeminism; philosophical realism; the productive force of alienation; and the unbearable lightness of current creative discourse. _uhttps://www.amazon.com/Aesthetics-Equals-Politics-Discourses-Architecture/dp/0262039435 |
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650 | 0 |
_aAesthetics _xPolitical aspects |
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700 | 1 |
_aGage, Mark Foster, _eeditor. |
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700 | 1 |
_aShaw, Matt, _eeditor. |
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900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
910 | _aPandora. | ||
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_2lcc _cBKS _01 |
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970 | 0 | 1 |
_aCONTENTS, _pv. |
970 | 0 | 1 |
_aPreface, _pvii. |
970 | 1 | 2 |
_aI, _lTHE NEW FOUNDATIONS OF AESTHETIC DISCOURSE, _p1. |
970 | 1 | 1 |
_a1, _tINTRODUCTION, _cMark Foster Gage, _fGage, Mark Foster, _p3. |
970 | 1 | 1 |
_a2, _tPOLITICS EQUALS AESTHETICS: A CONVERSATION BETWEEN JACQUES RANCIÈRE AND MARK FOSTER GAGE, _p9, |
970 | 1 | 1 |
_a3, _tBUILDING AND BREATH: BEAUTY AND THE PACT OF ALIVENESS, _cElaine Scarry, _fScarry, Elaine, _p27, |
970 | 1 | 1 |
_a4, _tA NEW SENSE OF MIMESIS, _cGraham Harman, _fHarman, Graham, _p49. |
970 | 1 | 1 |
_a5, _tUSE THE FORCE, _cTimothy Morton, _fMorton, Timothy, _p65. |
970 | 1 | 2 |
_aII, _lFRAMING THE AESTHETIC, _p81. |
970 | 1 | 1 |
_a6, _tIN PURSUIT OF THE ALLUSIVE OBJECT, _cFerda Kolatan, _fKolatan, Ferda, _p83. |
970 | 1 | 1 |
_a7, _tAESTHETICS POSTDIGITAL, _cAdam Fure, _fFure, Adam, _p99. |
970 | 1 | 1 |
_a8, _tTHE AESTHETICS OF ABSTRACTION, _cMichael Young, _fYoung, Michael, _p127. |
970 | 1 | 2 |
_aIII, _lAESTHETIC AND THE POLITICS OF PRACTICE, _p149. |
970 | 1 | 1 |
_a9, _tCOSMOGRAMIC DESIGN: A CULTURAL MODEL OF THE AESTHETIC RESPONSE, _cNettrice R. Gaskins, _fGaskins, Nettrice R., _p151. |
970 | 1 | 1 |
_a10, _tABSOLUTELY SMALL: SKETCH OF AN ANARCHIST AESTHETIC, _cRoger Rothman, _fRothman, Roger, _p169. |
970 | 1 | 1 |
_a11, _tAESTHETICS AS ALIENATION, _cDiann Bauer, _fBauer, Diann, _p195. |
970 | 1 | 1 |
_a12, _tREORIENTING CRITICISM: AGAINST AN A PRIORI REDUCTIONISM, _cMatt Shaw, _fShaw, Matt, _p205. |
970 | 1 | 1 |
_a13, _tTHE UNBEARABLE LIGHTNESS OF ARCHITECTURAL AESTHETIC DISCOURSE, _cAlbena Yaneva, _fYaneva, Albena, _cBrett Mommersteeg, _fMommersteeg, Brett, _p213. |
970 | 1 | 2 |
_aIV, _lAESTHETICS ALTERNATIVES, _p235. |
970 | 1 | 1 |
_a14, _tBIGDOG, OR, THE PRECARIOUS AESTHETICS OF TUMBLING, _cLydia Kallipoliti, _fKallipoliti, Lydia, _p237. |
970 | 1 | 1 |
_a15, _tFERAL ARCHITECTURE, _cAriane Lourie Harrison, _fHarrison, Ariane Lourie, _p255. |
970 | 1 | 1 |
_a16, _tARCHITECTURE, DEEP AND CRYPTIC, _cRhett Russo, _fRusso, Rhett, _p269. |
970 | 1 | 1 |
_a17, _tAESTHETICS CRITIQUE/AESTHETIC ACTIVISM, _cPeggy Deamer, _fDeamer, Peggy, _p281. |
970 | 1 | 1 |
_a18, _tTHE STRANGERS AMONG US, _cCaroline Picard, _fPicard, Caroline, _p301. |
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