000 | 02922nam a2200733 i 4500 | ||
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001 | 1604984 | ||
003 | KOHA | ||
005 | 20241117155444.0 | ||
008 | 231005s1948 nyua 000 0 eng d | ||
040 |
_aTR-IsMEF _beng _cTR-IsMEF _erda |
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041 | 1 |
_aeng _hfre |
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050 |
_aBF408 _b.S278 1948 |
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100 | 1 | 0 |
_aSartre, Jean-Paul, _eauthor. _d1905-1980 |
245 | 1 | 0 |
_aThe psychology of imagination / _cJean Paul Sartre. |
264 | 1 |
_aNew York : _bPhilosophical Library, _c1948. |
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264 | 3 |
_aUSA : _bBrown Brothers Linotypers. |
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264 | 4 | _a©1948 | |
300 |
_a285 pages : _billustrations ; _c22 cm. |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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500 | _aIncludes index (pages 283-285). | ||
650 | 0 | _aImagination | |
650 | 7 | _aPsychology | |
900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
942 |
_2lcc _cBKS _01 |
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970 | 0 | 1 | _aContents |
970 | 0 | 1 | _aThe intentional structure of the image |
970 | 1 | 2 |
_lPart one _tThe certain. |
970 | 1 | 2 |
_l1 _tDescription. |
970 | 1 | 1 |
_tThe method, _p3. |
970 | 1 | 1 |
_tFirst characteristic: The image is a consciousness, _p4. |
970 | 1 | 1 |
_tSecond charecterictic: the imaginative consciousness posits its object as nothingness, _p8 |
970 | 1 | 1 |
_tThird charecteristic: the imaginative consciousness posits its object as nothingness, _p14 |
970 | 1 | 1 |
_tFourth charecteristic: spontaneity, _p18 |
970 | 1 | 2 |
_l2 _tThe Image Family. |
970 | 1 | 1 |
_tImage, Portrait, Caricature, _p22 |
970 | 1 | 1 |
_tThe sign and the portrait, _p27 |
970 | 1 | 1 |
_tFrom sign to image: Schematic drawings, _p40 |
970 | 1 | 1 |
_tFaces in the fire, spots on walls, rocks in human form, _p49 |
970 | 1 | 1 |
_tHypnagogic ımages, scenes and persons seen in coffee-grounds, in a crystal ball, _p52 |
970 | 1 | 1 |
_tFrom the portrait to the mental image, _p71 |
970 | 1 | 1 |
_tThe mental image, _p74 |
970 | 1 | 2 |
_lPart two _tThe probable. |
970 | 1 | 1 |
_tKnowledge, _p81 |
970 | 1 | 1 |
_tAffectivity, _p96 |
970 | 1 | 1 |
_tMovements, _p104 |
970 | 1 | 1 |
_tThe role of the word in the mental image, _p119 |
970 | 1 | 1 |
_tHow the thing appears in the mental image, _p124 |
970 | 1 | 2 |
_lPart Three _tThe role of the image in mental life. |
970 | 1 | 1 |
_tThe Symbol, _p137 |
970 | 1 | 1 |
_tSymbolic schemes and illustrations of thought, _p151 |
970 | 1 | 1 |
_tImage and thought, _p160 |
970 | 1 | 2 |
_lPart Four _tThe imaginary life. |
970 | 1 | 1 |
_tImage and perception, _p171 |
970 | 1 | 1 |
_tThe unreal object, _p177 |
970 | 1 | 1 |
_tThe unreal and behavior, _p194 |
970 | 1 | 1 |
_tPathology of the imagination, _p213 |
970 | 1 | 2 | _lConclusion |
970 | 1 | 1 |
_tConsciousness and Imagination, _p259 |
970 | 1 | 1 |
_tThe work of art, _p273 |
970 | 1 | 1 |
_tIndex, _p283 |
999 |
_c19858 _d19858 |