000			04273cam a2200589Ii 4500
001			977007
008			170802s19891989mau b 011 0 eng d
020			_a9780674639768 _q(paperback)
040			_aTR-IsMEF _beng _erda _cTR-IsMEF
041	1		_aeng _hita
049			_aTR-IsMEF
050	0	0	_aBH39 _b.E2613 1989
100	1		_aEco, Umberto, _d1932-2016, _eauthor.
240	1	0	_aEssays. _kSelections. _lEnglish
245	1	4	_aThe open work / _cUmberto Eco ; translated by Anna Cancogni ; with an introduction by David Robey.
264	1		_aCambridge, Mass. : _bHarvard University Press, _c1989.
264	4		_a©1989
300			_axxxii, 285 pages ; _c24 cm.
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
500			_aTranslation of: Opera aperta, and other essays.
504			_aIncludes bibliographical references and index.
505	0		_aThe poetics of the open work -- Analysis of poetic language -- Openness, information, communication -- The open work in the visual arts -- Chance and plot: television and aesthetics -- Form as social commitment -- Form and interpretation in Luigi Pareyson's aesthetics -- Two hypotheses about the death of art -- The structure of bad taste -- Series and structure -- The death of the Gruppo.
520			_aMore than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general. This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought.
600	1	0	_aJoyce, James, _d1882-1941 _xCriticism and interpretation
600	1	0	_aWiener, Norbert, _d1894-1964
650	0		_aAesthetics
650	0		_aPoetry
650	0		_aSemiotics
700	1		_aCancogni, Anna, _etranslator.
700	1		_aRobey, David, _eauthor of introduction.
730	0	2	_aEssays. _kSelections. _lEnglish _93809
900			_aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
920			_aİnceoğlu, Arda, _edonor.
942			_2lcc _cBKS
970	0	1	_aIntroduction by David Robey , _pvii.
970	1	1	_tThe poetics of the open work, _p1.
970	1	1	_tAnalysis of poetic language, _p24.
970	1	1	_tOpenness, information, communication, _p44.
970	1	1	_tThe open work in the visual arts, _p84.
970	1	1	_tChance and plot: television and aesthetics, _p105.
970	1	1	_tForm as social commitment, _p123.
970	1	1	_tForm and interpretation in Luigi Pareyson's aesthetics, _p158.
970	1	1	_tTwo hypotheses about the death of art, _p167.
970	1	1	_tThe structure of bad taste, _p180.
970	1	1	_tSeries and structure, _p217.
970	1	1	_tThe death of the gruppo 63, _p236.
970	0	1	_aNotes, _p251.
970	0	1	_aIndex, _p277.
999			_c1733 _d1733
003			KOHA