| 000 | 06679cam a2201609 i 4500 | ||
|---|---|---|---|
| 001 | 977005 | ||
| 008 | 170802s20062006inu o c 001 0 enk d | ||
| 020 |
_a9780470047330 _q(paperback) |
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| 040 |
_aTR-IsMEF _beng _erda _cTR-IsMEF |
||
| 041 | 0 | _aeng | |
| 049 | _aTR-IsMEF | ||
| 050 | 0 | 0 |
_aTR590 _b.V37 2006 |
| 100 | 1 |
_aVaris, Lee, _eauthor. |
|
| 245 | 1 | 0 |
_aSkin : _bthe complete guide to digitally lighting, photographing, and retouching faces and bodies / _cLee Varis ; forewords by master photographer Gerald Bybee and by author and teacher Katrin Eismann ; cover designer Ryan Sneed. |
| 246 | 3 | _aComplete guide to digitally lighting, photographing, and retouching faces and bodies. | |
| 264 | 1 |
_aIndianapolis, Ind. : _bSybex/Wiley, _c2006. |
|
| 300 |
_axxi, 404 pages : _billustrations, photographs, portraits ; _c25 cm. + _e1 CD-ROM (4 3/4 in.) |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 337 |
_acomputer _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 338 |
_acomputer disc _2rdacarrier |
||
| 490 | 1 | _aSerious skills | |
| 500 | _aIncludes index. | ||
| 505 | 0 | _aDigital imaging basics -- Color management, workflow, and calibration -- Lighting and photographing people -- The color of skin -- Tone and contrast: color and B+W -- Retouching -- Special effects -- Preparing for print -- Parting shots | |
| 538 | _aDisc characteristics: CD-ROM. | ||
| 650 | 0 |
_aPhotography _xLighting |
|
| 650 | 0 |
_aPhotography _xDigital techniques _vHandbooks, manuals, etc |
|
| 650 | 0 |
_aImage processing _xDigital techniques _vHandbooks, manuals, etc |
|
| 650 | 0 |
_aColor photography _xDigital techniques _vHandbooks, manuals, etc |
|
| 700 | 1 |
_aBybee, Gerald, _eauthor of introduction. |
|
| 700 | 1 |
_aEismann, Katrin, _eauthor of introduction. |
|
| 700 | 1 |
_aSneed, Ryan, _ecover designer. |
|
| 830 | 0 | _aSerious skills | |
| 900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
| 920 |
_aİnceoğlu, Arda, _edonor. |
||
| 942 |
_2lcc _cBKS |
||
| 970 | 0 | 1 | _tContents |
| 970 | 0 | 1 |
_aIntroduction, _pxix |
| 970 | 1 | 2 |
_lChapter 1. _tDigital Imaging Basics, _p1 |
| 970 | 1 | 1 |
_tChips and Pixels, _p2 |
| 970 | 1 | 1 |
_tSetting Up: Hardware, _p6 |
| 970 | 1 | 1 |
_tCamera, _p6 |
| 970 | 1 | 1 |
_tMemory Cards, _p6 |
| 970 | 1 | 1 |
_tBatteries, _p8 |
| 970 | 1 | 1 |
_tTV Monitor, _p8 |
| 970 | 1 | 1 |
_tComputer, _p9 |
| 970 | 1 | 1 |
_tMonitor and Calibrator, _p10 |
| 970 | 1 | 1 |
_tSetting Up: Software, _p12 |
| 970 | 1 | 1 |
_tPhotoshop: Preferences, _p12 |
| 970 | 1 | 1 |
_tBridge: Preferences and Configurations, _p12 |
| 970 | 1 | 2 |
_lChapter 2. _tColor Management, Workflow, and Calibration, _p25 |
| 970 | 1 | 1 |
_tBasic Digital Capture Workflow, _p26 |
| 970 | 1 | 1 |
_tCalibrating for Digital Capture, _p28 |
| 970 | 1 | 1 |
_tEstablish Lighting, _p30 |
| 970 | 1 | 1 |
_tShoot to Bracket the Exposure Range, _p31 |
| 970 | 1 | 1 |
_tView Shots in Bridge and Zero Out Sliders, _p33 |
| 970 | 1 | 1 |
_tDetermine the Best Exposure, _p35 |
| 970 | 1 | 1 |
_tCompare the ColorChecker, _p39 |
| 970 | 1 | 1 |
_tAdjust Calibration Sliders, _p41 |
| 970 | 1 | 1 |
_tSave a New Camera Default, _p44 |
| 970 | 1 | 1 |
_tPutting Color Management in Context, _p50 |
| 970 | 1 | 2 |
_lChapter 3. _tLighting and Photographing People, _p53 |
| 970 | 1 | 1 |
_tLighting Technology, _p54 |
| 970 | 1 | 1 |
_tBasic Portrait Lighting, _p60 |
| 970 | 1 | 1 |
_tBeauty Light, _p60 |
| 970 | 1 | 1 |
_tRembrandt Lighting, _p66 |
| 970 | 1 | 1 |
_tNatural Light, _p70 |
| 970 | 1 | 1 |
_tOn-Camera Flash, _p75 |
| 970 | 1 | 1 |
_tBreaking the Rules, _p78 |
| 970 | 1 | 1 |
_tAdvanced Lighting Techniques, _p80 |
| 970 | 1 | 1 |
_tRing Light, _p80 |
| 970 | 1 | 1 |
_tCombination Lighting: Daylight Plus Flash, _p85 |
| 970 | 1 | 1 |
_tControlling Natural Light, _p92 |
| 970 | 1 | 1 |
_tAction Stopping Lighting, _p99 |
| 970 | 1 | 1 |
_tExperimenting with Light, _p106 |
| 970 | 1 | 2 |
_lChapter 4. _tThe Color of Skin, _p109 |
| 970 | 1 | 1 |
_tWhite Points, Black Points, and Places In-Between, _p110 |
| 970 | 1 | 1 |
_tZone System: Contrast and Tone, _p111 |
| 970 | 1 | 1 |
_tNeutral Color: Using Balanced Numbers, _p113 |
| 970 | 1 | 1 |
_tCurves: The Basic Color and Tone Tool, _p115 |
| 970 | 1 | 1 |
_tContrast Control: The Basic Curve Shapes, _p117 |
| 970 | 1 | 1 |
_tInfo Palette: Reading Basic Numbers, _p122 |
| 970 | 1 | 1 |
_tWhite/Black Point Correction, _p122 |
| 970 | 1 | 1 |
_tAdjusting Numbers for the Color of Skin, _p125 |
| 970 | 1 | 1 |
_tThe Family of Man: Cultural and Psychological Issues, _p132 |
| 970 | 1 | 1 |
_tCultural and Personal Color Bias, _p137 |
| 970 | 1 | 2 |
_lChapter 5. _tTone and Contrast: Color and B+W, _p141 |
| 970 | 1 | 1 |
_tConverting to B+W, _p142 |
| 970 | 1 | 1 |
_tThe Channel Mixer, _p143 |
| 970 | 1 | 1 |
_tSplit Channels: Layer Blending, _p147 |
| 970 | 1 | 1 |
_tLuminosity Blending, _p151 |
| 970 | 1 | 1 |
_tInstant Tan, _p152 |
| 970 | 1 | 1 |
_tWhen Color Overwhelms: Look for the Good Channel, _p156 |
| 970 | 1 | 1 |
_tHue/Saturation Toning Effects, _p164 |
| 970 | 1 | 1 |
_tSplit-Toning, _p168 |
| 970 | 1 | 1 |
_tGradient Map Colorizing, _p176 |
| 970 | 1 | 1 |
_tThe Power of B+W, _p180 |
| 970 | 1 | 2 |
_lChapter 6. _tRetouching, _p185 |
| 970 | 1 | 1 |
_tBasic Image Repair, _p186 |
| 970 | 1 | 1 |
_tHue/Saturation Color Repair, _p197 |
| 970 | 1 | 1 |
_tBeauty Retouching, _p202 |
| 970 | 1 | 1 |
_tFigure Thinning Techniques, _p218 |
| 970 | 1 | 1 |
_tSubtle Retouching, _p228 |
| 970 | 1 | 1 |
_tSkin Smoothing, _p231 |
| 970 | 1 | 2 |
_lChapter 7. _tSpecial Effects, _p241 |
| 970 | 1 | 1 |
_tSoft Focus, _p242 |
| 970 | 1 | 1 |
_tBasic Diffusion Effect, _p242 |
| 970 | 1 | 1 |
_tScreen Diffusion, _p246 |
| 970 | 1 | 1 |
_tOverlay Diffusion, _p254 |
| 970 | 1 | 1 |
_tLinear Light Diffusion, _p257 |
| 970 | 1 | 1 |
_tDepth of Field Effects, _p260 |
| 970 | 1 | 1 |
_tLens Tilt Effect, _p274 |
| 970 | 1 | 1 |
_tFilm Grain and Mezzotint, _p283 |
| 970 | 1 | 1 |
_tCross-Processing, _p294 |
| 970 | 1 | 1 |
_tTattoos, _p306 |
| 970 | 1 | 1 |
_tFaking Tattoos, _p317 |
| 970 | 1 | 2 |
_lChapter 8. _tPreparing for Print, _p323 |
| 970 | 1 | 1 |
_tSharpening, _p324 |
| 970 | 1 | 1 |
_tUnsharp Mask, _p324 |
| 970 | 1 | 1 |
_tSmart Sharpen, _p328 |
| 970 | 1 | 1 |
_tMultiple Sharpening Layers, _p333 |
| 970 | 1 | 1 |
_tOctave Sharpening, _p335 |
| 970 | 1 | 1 |
_tOverlay Sharpening and High-Radius Effects, _p346 |
| 970 | 1 | 1 |
_tColor Management for Print, _p357 |
| 970 | 1 | 1 |
_tProfiles and Look-Up Tables, _p357 |
| 970 | 1 | 1 |
_tSoft Proofing, _p359 |
| 970 | 1 | 1 |
_tDesktop Printing, _p361 |
| 970 | 1 | 1 |
_tOutput Simulations, _p364 |
| 970 | 1 | 1 |
_tCreative Print Finishing, _p365 |
| 970 | 1 | 1 |
_tLast Minute Fixes, _p374 |
| 970 | 1 | 2 |
_lChapter 9. _tParting Shots , _p383 |
| 970 | 1 | 1 |
_tDigital Photo W orkflow, _p384 |
| 970 | 1 | 1 |
_tCompanion CD Contents, _p385 |
| 970 | 1 | 1 |
_tFuture Developments, _p387 |
| 999 |
_c1731 _d1731 |
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| 003 | KOHA | ||