| 000 | 11382cam a2202221Ii 4500 | ||
|---|---|---|---|
| 001 | 822144 | ||
| 008 | 170222s20062006tu a b 001 0 eng d | ||
| 020 |
_a0415952294 _q(paperback) |
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| 020 |
_a9780415952200 _q(paperback) |
||
| 040 |
_aTR-IsMEF _beng _erda _cTR-IsMEF |
||
| 041 | 0 | _aeng | |
| 049 | _aTR-IsMEF | ||
| 050 | 0 | 0 |
_aDC715 _b.H37 2006 |
| 100 | 1 |
_aHarvey, David, _d1935-, _eauthor. |
|
| 245 | 1 | 0 |
_aParis, capital of modernity / _cDavid Harvey |
| 250 | _aFirst Routledge paperback edition. | ||
| 264 | 1 |
_aNew York : _bRoutledge, _c2006 |
|
| 264 | 4 | _a©2006 | |
| 300 |
_axi, 372 pages : _billustrations ; _c24 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 355-362) and index. | ||
| 520 | _aCollecting David Harvey's finest work on Paris during the second empire, Paris, Capital of Modernity offers brilliant insights ranging from the birth of consumerist spectacle on the Parisian boulevards, the creative visions of Balzac, Baudelaire and Zola, and the reactionary cultural politics of the bombastic Sacre Couer. The book is heavily illustrated and includes a number drawings, portraits and cartoons by Daumier, one of the greatest political caricaturists of the nineteenth century. | ||
| 651 |
_aParis (France) _xCivilization _y19th century |
||
| 651 | 0 |
_aFrance _xHistory _ySecond Empire, 1852-1870 |
|
| 900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
| 910 | _aÇağlayan | ||
| 942 |
_2lcc _cBKS _01 |
||
| 970 | 0 | 1 |
_aIllustrations, _pvii. |
| 970 | 0 | 1 |
_aTables, _pxi. |
| 970 | 0 | 1 |
_aIntroduction: modernity as break, _p1. |
| 970 | 1 | 2 | _tPart one Representations: Paris 1830-1848. |
| 970 | 1 | 1 |
_tThe myths of modernity: Balzac's Paris, _p23. |
| 970 | 1 | 1 |
_tDreaming the body politic: revolutionary politics and Utopian schemes, 1830-1848, _p59. |
| 970 | 1 | 2 | _tPart two Materializations: Paris 1848-1870. |
| 970 | 0 | 1 |
_aPrologue, _p93. |
| 970 | 1 | 1 |
_tThe organization of space relations, _p107. |
| 970 | 1 | 1 |
_tMoney, credit, and finance, _p117. |
| 970 | 1 | 1 |
_tRent and the propertied interest, _p125. |
| 970 | 1 | 1 |
_tThe state, _p141. |
| 970 | 1 | 1 |
_tAstract and concrete labor, _p153. |
| 970 | 1 | 1 |
_tThe buying and selling of labor power, _p173. |
| 970 | 1 | 1 |
_tThe condition of women, _p183. |
| 970 | 1 | 1 |
_tThe reproduction of labor power, _p195. |
| 970 | 1 | 1 |
_tConsumerism, spectacle, and leisure, _p209. |
| 970 | 1 | 1 |
_tCommunity and class, _p225. |
| 970 | 1 | 1 |
_tNatural relations, _p245. |
| 970 | 1 | 1 |
_tScience and sentiment, modernity and tradition, _p253. |
| 970 | 1 | 1 |
_tRhetoric and representation, _p267. |
| 970 | 1 | 1 |
_tThe geopolitics of urban transformation, _p293. |
| 970 | 1 | 2 | _tPart three Coda. |
| 970 | 1 | 1 |
_tThe building of the basilica of Sacre-Coeur, _p311. |
| 970 | 0 | 1 |
_aNotes, _p341. |
| 970 | 0 | 1 |
_aBibliography, _p355. |
| 970 | 0 | 1 |
_aAcknowledgments and credits for illustrations, _p363. |
| 970 | 0 | 1 |
_aIndex, _p365. |
| 970 | 0 | 1 | _aIllustrations. |
| 970 | 1 | 1 |
_tThe barricade on the Rue de la Mortellerie in June 1848, by Meissonier, _p2. |
| 970 | 1 | 1 |
_tL'Emeute (The Riot), by Daumier (1848), _p3. |
| 970 | 1 | 1 |
_tStreet urchin at the Tuileries Palace, by Daumier (1848), _p4. |
| 970 | 1 | 1 |
_tBarricodes on the Fauborg du Temple on the morning of June 25, 1848, _p6. |
| 970 | 1 | 1 |
_tDemolitions around the Palais Royale, photo by Marville, _p8. |
| 970 | 1 | 1 |
_tDisplacement of populations by the demolitions, by Daumier (1852), _p9. |
| 970 | 1 | 1 |
_tLes Halles in the early 1850s; lithograph by Provost, _p10. |
| 970 | 1 | 1 |
_tBaltard's first building for the new Les Halles in 1852; Marville photo, _p11. |
| 970 | 1 | 1 |
_tBaltard's "umberallas of iron" in Les Halles (1855), _p11. |
| 970 | 1 | 1 |
_tThe Palais de l'Industrie (1855), _p12. |
| 970 | 1 | 1 |
_tThe passage de l'Opera; Marville photo (1855), _p13. |
| 970 | 1 | 1 |
_tThe clown, by Daumier, _p15. |
| 970 | 1 | 1 |
_tThe new Rue de Rivoli, by Daumier, _p24. |
| 970 | 1 | 1 |
_tThe pastoral utopianism of the bourgeoisie, by Daumier, _p27. |
| 970 | 1 | 1 |
_tThe realities of rural life, by Daumier, _p31. |
| 970 | 1 | 1 |
_tRobert Macaire, by Daumier, _p35. |
| 970 | 1 | 1 |
_tClasses on the Boulevard des Italiens and the Boulevard du Temple, by Daumier, _p38. |
| 970 | 1 | 1 |
_tThe street of virtues, photo by Marville, _p42. |
| 970 | 1 | 1 |
_tTime-space compression, by Daumier (1843/1844), _p49. |
| 970 | 1 | 1 |
_tBourgeois and proletarian, by Daumier (1848), _p60. |
| 970 | 1 | 1 |
_tGargantua, by Daumier, _p61. |
| 970 | 1 | 1 |
_tLiberty leading the people, by Delacroix, _p62. |
| 970 | 1 | 1 |
_tRepublic, by Daumier, _p63. |
| 970 | 1 | 1 |
_tWomen socialists, by Daumier, _p70. |
| 970 | 1 | 1 |
_tNew road systems of the 1840s, _p81. |
| 970 | 1 | 1 |
_tThe new Paris, by Gustav Dorê, _p92. |
| 970 | 1 | 1 |
_tNouveau Paris, by Daumier, _p94. |
| 970 | 1 | 1 |
_tThe streets of old Paris, photos by Marville, _p96. |
| 970 | 1 | 1 |
_tLouis Napoleon Bonaparte, _p98. |
| 970 | 1 | 1 |
_tphoto and cartoon representation of Haussmann, _p101. |
| 970 | 1 | 1 |
_tHaussmann rejected by Paris, _p102. |
| 970 | 1 | 1 |
_tHaussmann and street details, photos by Marville, _p103. |
| 970 | 1 | 1 |
_tThe tribunal of commerce, photos by Marville, _p104. |
| 970 | 1 | 1 |
_tThe rush of the railroad, by Daumier, _p108. |
| 970 | 1 | 1 |
_tThe growth of the rail network in France, _p110. |
| 970 | 1 | 1 |
_tMap of Haussmann's new boulevards, _p112. |
| 970 | 1 | 1 |
_tTravel by omnibus, by Daumier, _p115. |
| 970 | 1 | 1 |
_tThe vicissitudes of train travel, by Daumier, _p116. |
| 970 | 1 | 1 |
_tThe stock exchange, by Chargot, _p118. |
| 970 | 1 | 1 |
_tThe temptations of investment, by Gavarni, _p119. |
| 970 | 1 | 1 |
_tThe operations of the compagnie immobiliere, 1856-1866, _p121. |
| 970 | 1 | 1 |
_tA conspiracy of landlords, by Daumier, _p126. |
| 970 | 1 | 1 |
_tM. Vautour, by Daumier, _p126. |
| 970 | 1 | 1 |
_tInsalubrious housing, photo by Marville, _p127. |
| 970 | 1 | 1 |
_tProperty price movements in Paris, _p128. |
| 970 | 1 | 1 |
_tShantytowns on the periphery, photo by Marville, _p130. |
| 970 | 1 | 1 |
_tDemolitions and the bourgeoisie, by Daumier, _p132. |
| 970 | 1 | 1 |
_tIncrease in the property tax base, _p134. |
| 970 | 1 | 1 |
_tVolume of construction materials entering Paris, _p135. |
| 970 | 1 | 1 |
_tLouis-Napoleon attempting to seduce the republic, by Daumier, _p142. |
| 970 | 1 | 1 |
_tDemolition and construction work, by Daumier, _p144. |
| 970 | 1 | 1 |
_tThe street entertainers of Paris, by Daumier, _p147. |
| 970 | 1 | 1 |
_tMaps of density of population and of occupational distributions, _p149. |
| 970 | 1 | 1 |
_tThe worker, by Daumier, _p154. |
| 970 | 1 | 1 |
_tLocations of large enterprises, _p158. |
| 970 | 1 | 1 |
_tLocations of large firms, by industry, _p158. |
| 970 | 1 | 1 |
_tFactory at La Villette, _p159. |
| 970 | 1 | 1 |
_tCarpetmaking at Les Gobelins, by Dorê, _p161. |
| 970 | 1 | 1 |
_tThe new dry goods stores of the 1840s, by Daumier, _p164. |
| 970 | 1 | 1 |
_tTanning factories along the Bievre River, photo by Marville, _p167. |
| 970 | 1 | 1 |
_tCollective steam engine system, _p168. |
| 970 | 1 | 1 |
_tThe construction eorkers from limousin in Paris, by Daumier, _p174. |
| 970 | 1 | 1 |
_tThe Muse de la Brasserie, by Daumier, _p184. |
| 970 | 1 | 1 |
_tWomen of the opera and of the Cafe concert, by Dorê, _p186. |
| 970 | 1 | 1 |
_tGrissettes and lorettes, by Gavarni, _p189. |
| 970 | 1 | 1 |
_tThe good wife and the bourgeois family, by Daumier, _p191. |
| 970 | 1 | 1 |
_tLa Soupe, by Daumier, _p196. |
| 970 | 1 | 1 |
_tMaps of lodging rooms and indigence rate in Paris, _p198. |
| 970 | 1 | 1 |
_tLandlords against children and pets, by Daumier, _p199. |
| 970 | 1 | 1 |
_tFamily disasters, by Daumier, _p206. |
| 970 | 1 | 1 |
_tSpectacle is good for everyone, by Daumier, _p210. |
| 970 | 1 | 1 |
_tThe military parade, _p211. |
| 970 | 1 | 1 |
_tBoulevard openings: Sebastapol and Prince Eugene, _p213. |
| 970 | 1 | 1 |
_tExcursions to the Bois de Boulogue, visit to the Opera and firework display, by Guerrard, _p214. |
| 970 | 1 | 1 |
_tGalas and balls, _p215. |
| 970 | 1 | 1 |
_tThe pleasure train, by Daumier, _p216. |
| 970 | 1 | 1 |
_tMacadan and cobblestones, by Cham, _p217. |
| 970 | 1 | 1 |
_tCrinoline dresses, by Daumier, _p218. |
| 970 | 1 | 1 |
_tBoulevard life-tortoins and the grand hotels, _p219. |
| 970 | 1 | 1 |
_tClass relations on the railroads, by Daumier, _p226. |
| 970 | 1 | 1 |
_tThe nomads of displacement, by Darjou, _p235. |
| 970 | 1 | 1 |
_tThe clearance of the Ile de la cite, _p237. |
| 970 | 1 | 1 |
_tWorking-class housing in the center and toward the periphery, _p240. |
| 970 | 1 | 1 |
_tWorking-class street life around Les Halles by day and in the wineshops at night, _p243. |
| 970 | 1 | 1 |
_tFresh air and sunlight in the city, by Daumier, _p246. |
| 970 | 1 | 1 |
_tThe Bois de Boulogne, photo by Marville and the new park at Buttes Chaumont, _p247. |
| 970 | 1 | 1 |
_tThe square du temple, _p248. |
| 970 | 1 | 1 |
_tSewage in the streets, photo by Marville, _p249. |
| 970 | 1 | 1 |
_tThe new sewer systems, _p250. |
| 970 | 1 | 1 |
_tModernity and tradition: Manet's Olympia and Titain's Venus d'Urbino, _p254. |
| 970 | 1 | 1 |
_tThe spectacle of demolitions, _p262. |
| 970 | 1 | 1 |
_tNostalgia for a lost Paris, by Daumier, _p263. |
| 970 | 1 | 1 |
_tThe Rude de Rivoli, _p264. |
| 970 | 1 | 1 |
_tParis under siege, _p268. |
| 970 | 1 | 1 |
_tCrowds at the salons, by Daumier, _p270. |
| 970 | 1 | 1 |
_tThe country and the city, by Daumier, _p274. |
| 970 | 1 | 1 |
_tMap of the barriaces of 1848, _p280. |
| 970 | 1 | 1 |
_tThe divorcees of 1848, by Daumier, _p288. |
| 970 | 1 | 1 |
_tThe history of the Second Empire, by Daumier, _p294. |
| 970 | 1 | 1 |
_tThe fallen vendome column, photo by Braquelhais, _p295. |
| 970 | 1 | 1 |
_tThe contradictions of the Bourgeoiside, by Daumier, _p279. |
| 970 | 1 | 1 |
_tMap of public meeting in Paris in 1868-1869, _p301. |
| 970 | 1 | 1 |
_tHaussmann as thief, by Mailly, _p303. |
| 970 | 1 | 1 |
_tThe strike at cail metalworks, by provost, _p305. |
| 970 | 1 | 1 |
_tThe elections of March 1871, _p307. |
| 970 | 1 | 1 |
_tThe Basilica of Sacre-Coeur, _p312. |
| 970 | 1 | 1 |
_tParis burning and in ruins during the closing days of the commune, _p318. |
| 970 | 1 | 1 |
_tEating rat and mouse during the siegre, by Cham, _p321. |
| 970 | 1 | 1 |
_tThiers and the commune, by Daumier, _p322. |
| 970 | 1 | 1 |
_tThe cannons of montmatre, _p324. |
| 970 | 1 | 1 |
_tBarricade of the communards, _p326. |
| 970 | 1 | 1 |
_tThe shooting at the Mur des Federes, by Darjon, _p327. |
| 970 | 1 | 1 |
_tDead communards, _p327. |
| 970 | 1 | 1 |
_tTopping of the vendome column, by Meaulle and viers, _p328. |
| 970 | 1 | 1 |
_tParis burning in the final days of the commune, _p330. |
| 970 | 1 | 1 |
_tManet and Daumier on the commune, _p331. |
| 970 | 1 | 1 |
_tStatue of liberty in its Paris workshop, _p337. |
| 970 | 1 | 1 |
_tSacre-Coeur as vampire, _p339. |
| 970 | 0 | 1 | _aTABLES. |
| 970 | 1 | 1 |
_tThe population of Paris, 1831-1876, _p95. |
| 970 | 1 | 1 |
_tInternal transport by mode and volume, 1852-1869, _p109. |
| 970 | 1 | 1 |
_tRole of property in personal wealth, 1840-1880, _p129. |
| 970 | 1 | 1 |
_tEmployment structure of Paris, 1847 and 1860, _p156. |
| 970 | 1 | 1 |
_tEconomically dependent population of Paris, 1866, _p156. |
| 970 | 1 | 1 |
_tBusiness volume of Parisian Industries 1847-1848 and 1860, _p157. |
| 970 | 1 | 1 |
_tAnnual incomes and daily wage rates by occupations, Paris, 1847-1871, _p177. |
| 970 | 1 | 1 |
_tInherited wealth by socioprofessional categories, 1847, _p228. |
| 970 | 1 | 1 |
_tParisian workers, 1870, _p230. |
| 999 |
_c1273 _d1273 |
||
| 003 | KOHA | ||