| 000 | 04359cam a2201033 i 4500 | ||
|---|---|---|---|
| 001 | 295 | ||
| 008 | 141110s1982 nyu b 001 0 eng | ||
| 040 | _arda | ||
| 049 | _aTR-IsMEF | ||
| 050 | 0 | 0 |
_aPN761 _b.K39 1982 |
| 100 | 1 |
_aKazin, Alfred, _d1915-1998 _eauthor. |
|
| 245 | 1 | 0 |
_aContemporaries, from the 19th century to the present / _cAlfred Kazin. |
| 250 | _aThe New and revised edition. | ||
| 264 | 1 |
_aNew York : _bHorizon Press, _c1982. |
|
| 264 | 4 | _c©1959 | |
| 300 |
_axii, 427 pages ; _c23 cm. |
||
| 336 |
_atext _2rdacontent |
||
| 337 |
_aunmediated _2rdamedia |
||
| 338 |
_avolume _2rdacarrier |
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| 500 | _aThe New and revised edition of: Contemporaries. 1st ed. 1962. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 650 | 0 |
_aLiterature, Modern _y19th century _xHistory and criticism |
|
| 650 | 0 |
_aLiterature, Modern _y20th century _xHistory and criticism. |
|
| 740 | 0 | 1 | _aContemporaries, from the nineteenth century to the present. |
| 900 | _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules | ||
| 920 | _aBağış sahibi bilinmiyor. | ||
| 942 |
_2lcc _cBKS |
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| 970 | 1 | 2 | _tContents |
| 970 | 1 | 1 |
_lI _tTO BE A CRITIC, _p1 |
| 970 | 1 | 1 |
_lII _tTHE BACKGROUND OF MODERN LITERATURE, _p19 |
| 970 | 1 | 2 |
_lIII _tRELEVANCE OF THE AMERICAN PAST, _p45 |
| 970 | 1 | 1 |
_tIshmael and Ahab, _p47 |
| 970 | 1 | 1 |
_tDry Ligh and Hard Expressions, _p59 |
| 970 | 1 | 1 |
_tThoreau's Lost Journal, _p65 |
| 970 | 1 | 1 |
_tCalled Back, _p68 |
| 970 | 1 | 1 |
_tGood Old Howells, _p75 |
| 970 | 1 | 1 |
_tStephen Crane's Scarlet Woman, _p78 |
| 970 | 1 | 1 |
_tA Leftover Transcendentalist: John Jay Chapman, _p82 |
| 970 | 1 | 1 |
_tAnd The War Game, _p87 |
| 970 | 1 | 2 |
_lIV _tOLD BOYS, MOSTLY AMERICAN, _p103 |
| 970 | 1 | 1 |
_tDreisser: The Esthetic of Realism, _p105 |
| 970 | 1 | 1 |
_tThe Mystery of Gertrude Stein, _p117 |
| 970 | 1 | 1 |
_tLady Chatterley in America, _p123 |
| 970 | 1 | 1 |
_tThe Youngest Man Who Ever Was, _p131 |
| 970 | 1 | 1 |
_tWilliam Faulkner: The Stillness of Light in August, _p136 |
| 970 | 1 | 1 |
_tWilliam Faulkner: More Snopeses, _p156 |
| 970 | 1 | 1 |
_tWilliam Faulkner: The Short Stories, _p160 |
| 970 | 1 | 1 |
_tGraham Greene and the Age of Absurdity, _p164 |
| 970 | 1 | 1 |
_tEdward Hopper, _p167 |
| 970 | 1 | 1 |
_tThe Happy Hour, _p175 |
| 970 | 1 | 2 |
_lV _tFAMOUS SINCE THE WAR, _p187 |
| 970 | 1 | 1 |
_tThe Southem "City of the Soul", _p189 |
| 970 | 1 | 1 |
_tGood-by to James Agee, _p194 |
| 970 | 1 | 1 |
_tThe Posthumous Life of Dylan, _p197 |
| 970 | 1 | 1 |
_tBernard Malamud: The Magic and the Dread, _p207 |
| 970 | 1 | 1 |
_tThe World of Saul Bellow, _p212 |
| 970 | 1 | 1 |
_tGravity and Grace: The Stories of J.F. Powers, _p218 |
| 970 | 1 | 1 |
_tIn Praise of Robert Lowell, _p220 |
| 970 | 1 | 1 |
_tJ.D. Salinger: "Everybody's Favorite", _p225 |
| 970 | 1 | 1 |
_tHow Good Is Norman Mailer?, _p235 |
| 970 | 1 | 1 |
_tTruman Capote and "the Army of Wrongness", _p239 |
| 970 | 1 | 1 |
_tThe Essays of James Baldwin, _p243 |
| 970 | 1 | 2 |
_lVI _tTHE EUROPEAN CURRENT, _p249 |
| 970 | 1 | 1 |
_tThe Plant, Man, Is More Robust and Large in Rome than Elsewhere, _p251 |
| 970 | 1 | 1 |
_tSholom Aleichem: The Old Country, _p257 |
| 970 | 1 | 1 |
_tThomos Mann: or The German as Novelist, _p264 |
| 970 | 1 | 1 |
_tIsaac Bashevis Singer: The Saint as Schlemiel, _p269 |
| 970 | 1 | 1 |
_tA Condemned Man: Albert Camus, _p274 |
| 970 | 1 | 1 |
_tThe Least of These, _p279 |
| 970 | 1 | 1 |
_tNo Sky for Renaud, _p283 |
| 970 | 1 | 1 |
_tFrom a Russian Diary, _p286 |
| 970 | 1 | 1 |
_tPasternak's Wake, _p295 |
| 970 | 1 | 1 |
_tRome: A Meditation on Keats, _p298 |
| 970 | 1 | 1 |
_tIsaac Bashevis Singer: God May Be a Novelist, _p309 |
| 970 | 1 | 2 |
_lVII _tFREUD AND HIS CONSEQUENCES, _p315 |
| 970 | 1 | 1 |
_tSigmund Freud, 1856-1956: Portrait of a Hero, _p317 |
| 970 | 1 | 1 |
_tPsychoanalysis and Literary Culture Today, _p326 |
| 970 | 1 | 1 |
_tThe Lesson of the Master, _p337 |
| 970 | 1 | 1 |
_tThe Conquistador: or Freud in His Letters, _p341 |
| 970 | 1 | 1 |
_tThe Language of Pundits, _p346 |
| 970 | 1 | 1 |
_lVIII _tHISTORY, _p359 |
| 970 | 1 | 1 |
_tEdmund Wilson on the Thirties, _p361 |
| 970 | 1 | 1 |
_tThe Historian at the Center, _p367 |
| 970 | 1 | 1 |
_tThe President and Other Intellectuals, _p373 |
| 970 | 1 | 1 |
_tUprooted Writers, _p390 |
| 970 | 1 | 1 |
_tNew York from Melville to MAiler, _p400 |
| 970 | 1 | 1 |
_tThe Self as History, _p412 |
| 999 |
_c12035 _d12035 |
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| 003 | KOHA | ||