000 06557cam a2201633 i 4500
001 1337
008 141216s19911991mauab b 001 0 eng
020 _a0821218670
_q(paperback)
040 _aTR-IsMEF
_beng
_erda
_cTR-IsMEF
041 _aeng
049 _aTR-IsMEF
050 0 0 _aHT111
_b.K67 1991
100 1 _aKostof, Spiro,
_eauthor.
245 1 4 _aThe city shaped :
_burban patterns and meanings through history /
_cSpiro Kostof ; original drawings by Richard Tobias.
264 1 _aBoston :
_bLittle, Brown,
_c1991.
264 4 _a©1991
300 _a352 pages :
_billustrations (some color), maps ;
_c26 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
500 _a"A Bulfinch Press book."
504 _aIncludes bibliographical references (pages 341-342) and index.
520 _aSpanning the ages and the globe, Spiro Kostof explores the city as a "repository of cultural meaning" and an embodiment of the community it shelters. Widely used by both architects and students of architecture, The City Shaped won the AIA's prestigious book award in Architecture and Urbanism. With hundreds of photographs and drawings that illustrate Professor Kostof's innovative ideas, this has become one of the most important works on urbanization.
596 _a1
650 7 _aCities and towns,
_xHistory
_2
650 0 _aCities and towns
_xGrowth
700 1 _aTobias, Richard,
_eillustrator.
900 _aMEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910 _aPandora.
942 _2lcc
_cBKS
970 0 1 _aAcknowledgments,
_p7.
970 0 1 _aIntroduction,
_p9.
970 1 2 _tThe city as artifact,
_p9.
970 1 1 _tPreliminaries,
_p9.
970 1 1 _tAffiliates of method,
_p14.
970 1 1 _tPeriods and categories,
_p26.
970 1 2 _tThe city in history,
_p29.
970 1 1 _tUrban cycles,
_p29.
970 1 1 _tUrban origins,
_p31.
970 1 1 _tEarly city form,
_p34.
970 1 2 _tWhat is a city?,
_p37.
970 1 2 _t1. "Organic patterns",
_p43.
970 1 2 _tPlanned cities and unplanned,
_p43.
970 1 2 _tCoexistence and transcription,
_p46.
970 1 2 _tThe evolution of "organic" patterns,
_p52.
970 1 1 _tCities as organisms,
_p52.
970 1 1 _tThe role of topography,
_p53.
970 1 1 _tLand division,
_p57.
970 1 1 _tSynoecism,
_p59.
970 1 1 _tThe law and social order,
_p62.
970 1 2 _tThe straight and the curved: design alternatives,
_p69.
970 1 1 _tOrigins of the planned picturesque,
_p70.
970 1 1 _tGarden city paradigm,
_p75.
970 1 1 _tConservation and the lesson of history,
_p82.
970 1 2 _tModernism and the planned picturesque,
_p89.
970 1 2 _t2. The grid,
_p95.
970 1 2 _tPreamble,
_p95.
970 1 1 _tThe nature of rectilinear planning,
_p95.
970 1 1 _tThe grid and politics,
_p99.
970 1 1 _t"Better order" or routine,
_p102.
970 1 2 _tHistorical review,
_p103.
970 1 1 _tThe grid in the ancient world,
_p103.
970 1 1 _tNew towns in the middle ages,
_p108.
970 1 1 _tThe renaissance in Europe,
_p111.
970 1 1 _tPassage to America,
_p113.
970 1 2 _tLaying out the grid,
_p124.
970 1 1 _tOn the site,
_p125.
970 1 1 _tSurveyors and theorists,
_126.
970 1 1 _tThe town planner as artist,
_p128.
970 1 2 _tCoordinated systems of town and country,
_p133.
970 1 1 _tRural grids,
_p133.
970 1 1 _tGridded extensions,
_p135.
970 1 2 _tThe closed grid: frame, accent, and open spaces,
_p138.
970 1 1 _tThe walled frame,
_p138.
970 1 1 _tStreet rhythms,
_p140.
970 1 1 _tThe distribution of squares,
_p143.
970 1 1 _tBlock organization,
_p147.
970 1 2 _tThe grid in the 20th century,
_p153.
970 1 2 _t3. The city as diagram,
_p159.
970 1 2 _tCircles and polygons,
_p159.
970 1 1 _tArcosanti and palmanova,
_p159.
970 1 1 _tUtopias and ideal cities,
_p162.
970 1 2 _tSpecialized environments,
_p165.
970 1 1 _tThe design of regimentation,
_p165.
970 1 1 _tHoly cities,
_p171.
970 1 2 _tThe political diagram,
_p174.
970 1 1 _tLinear systems,
_p174.
970 1 1 _tCentralized systems,
_p179.
970 1 1 _tSforzinda's example,
_p186.
970 1 2 _tThe functional diagram,
_p189.
970 1 1 _tThe logic of defense,
_p189.
970 1 1 _tTraffic and radial-concentricity,
_p192.
970 1 2 _tThe secular/socialist diagram,
_p196.
970 1 1 _tThe cosmos of workers, criminals and students,
_p196.
970 1 1 _tReforming urban society,
_p199.
970 1 1 _tThe planet and outer space,
_p206.
970 1 2 _tThe grand manner,
_p209.
970 1 2 _tPreliminaries,
_p209.
970 1 2 _tHistorical review,
_p211.
970 1 1 _tAntiquity,
_p212.
970 1 1 _tEuropean baroque,
_p215.
970 1 1 _tThe grand manner outside Italy,
_p216.
970 1 2 _tPlanning in the grand manner,
_p218.
970 1 1 _tTopography,
_p218.
970 1 1 _tThe grand manner as theater,
_p222.
970 1 1 _tThe grand manner and landscape design,
_p226.
970 1 1 _tThe design of heights,
_p228.
970 1 2 _t"Baroque" elements,
_p230.
970 1 1 _tThe straight street,
_p230.
970 1 1 _tThe "Baroque" diagonal,
_p232.
970 1 1 _tTrivium and polyvium,
_p235.
970 1 1 _tBoulevards and avenues,
_p249.
970 1 1 _tUniformity and the continuous frontage,
_p255.
970 1 1 _tVariety in unity,
_p261.
970 1 1 _tThe vista,
_p263.
970 1 1 _tMarkers and monuments,
_p266.
970 1 1 _tThe ceremonial axis,
_p271.
970 1 2 _tPost-modern baroque,
_p276.
970 1 2 _t5. The urban skyline,
_p279.
970 0 1 _aIntroduction,
_p279.
970 1 1 _tPublic and private skylines,
_p279.
970 1 1 _tThe skyline portrayed,
_p283.
970 1 2 _tSkyline features,
_p288.
970 1 1 _tSacred heights,
_p290.
970 1 1 _tLandmarks of the secular city,
_p295.
970 1 2 _tDesigning the skyline,
_p319.
970 1 1 _tSome principles,
_p310.
970 1 1 _tColor and light,
_p318.
970 1 2 _tThe modern skyline,
_p319.
970 1 1 _tForging the stadtkrone,
_p321.
970 1 1 _tSkyscraper city,
_p323.
970 1 1 _tTowers of glass,
_p330.
970 1 1 _t"And they left off to build the city",
_p333.
970 0 1 _aNotes,
_p337.
970 0 1 _aBibliography,
_p341.
970 0 1 _aAcknowledgments for illustrations,
_p343.
970 0 1 _aIndex,
_p344.
999 _c11648
_d11648
003 KOHA