Architectures of time : toward a theory of the event in modernist culture / Sanford Kwinter ; photographer Eric Gieszl ; book and cover designer Erin Hasley.

By: Kwinter, Sanford [author.]Contributor(s): Gieszl, Eric [photographer.] | Hasley, Erin [book designer.] | Hasley, Erin [cover designer.]Material type: TextTextLanguage: English Publisher: Cambridge, Massachsetts : MIT Press, 2002Copyright date: ©2001Edition: First MIT Press paperback edition, 2002Description: x, 237 pages : illustrations ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780262611817 (paperback)Subject(s): Modern movement (Architecture) | Time | Time in art | Time in literature | Real Virtuality | Physical Theory | Modernity | Architecture | Kafkan ImmanenceLOC classification: NA682.M63 K89 2002
Contents:
The Complex and the Singular.
Modernist Space and the Fragment.
Physical Theory and Modenity: Einstein, Boccioni, Sant'Elia.
Real Virtuality, or "the Kafkaesque".
Kafkan Immanence.
Subject: In Architectures of Time, Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the "event." He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative world of biology as a model of both scientific and metaphysical explanation. Kwinter examines theory of time and space in Einstein's theories of relativity and shows how these ideas were reflected in the writings of the sculptor Umberto Boccioni, the town planning schema of the Futurist architect Antonio Sant'Elia, the philosophy of Henri Bergson, and the writings of Franz Kafka. He argues that the writings of Boccioni and the visionary architecture of Sant'Elia represent the earliest and most profound deployments of the concepts of field and event. In discussing Kafka's work, he moves away from the thermodynamic model in favor of the closely related one of Bergsonian duree, or virtuality. He argues that Kafka's work manifests a coherent cosmology that can be understood only in relation to the constant temporal flux that underlies it.--backcover. https://www.amazon.com/Architectures-Time-Toward-Modernist-Culture/dp/0262611813
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Genel Koleksiyon NA 682. M63 K89 2002 (Browse shelf (Opens below)) Available 0020593

Includes index (pages 220-237).

"To my mother who taught me how to use tools."

The Complex and the Singular.

Modernist Space and the Fragment.

Physical Theory and Modenity: Einstein, Boccioni, Sant'Elia.

Real Virtuality, or "the Kafkaesque".

Kafkan Immanence.

In Architectures of Time, Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the "event." He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative world of biology as a model of both scientific and metaphysical explanation.

Kwinter examines theory of time and space in Einstein's theories of relativity and shows how these ideas were reflected in the writings of the sculptor Umberto Boccioni, the town planning schema of the Futurist architect Antonio Sant'Elia, the philosophy of Henri Bergson, and the writings of Franz Kafka. He argues that the writings of Boccioni and the visionary architecture of Sant'Elia represent the earliest and most profound deployments of the concepts of field and event. In discussing Kafka's work, he moves away from the thermodynamic model in favor of the closely related one of Bergsonian duree, or virtuality. He argues that Kafka's work manifests a coherent cosmology that can be understood only in relation to the constant temporal flux that underlies it.--backcover.

https://www.amazon.com/Architectures-Time-Toward-Modernist-Culture/dp/0262611813