Frank Stella / Andrianna Campbell, Kate Nesin, Lucas Blalock, Terry Richardson ; commissionning editor Michele Robercchi ; design Melanie Mues, Mues Design, London ; photographers Ron Amstutz, Christopher Burke, David Cohen, Terry Richardson, Steven Sloman, Jason Wyche.

By: Campbell, Adrianna [author.]Contributor(s): Nesin, Kate [author.] | Blalock, Lucas [author.] | Richardson, Terry [author, photographer.] | Robercchi, Michele, editor | Mues, Melanie, designer | Amstutz, Ron, photographer | Burke, Christopher, photographer | Cohen, David, photographer | Sloman, Steve, photographer | Wyche, Jason, photographerMaterial type: TextTextLanguage: English Publisher: London ; New York : Phaidon Press Ltd., 2017Copyright date: ©2017Edition: First published 2017Description: 158 pages : illustrations, photographs ; 30 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 9780714874593 (paperback)Subject(s): Stella, Frank -- Catalogs | Painting -- United States -- 20th century | Painting -- United States -- 21st century | Sculpture -- United States -- 20th century | Sculpture -- United States -- 21st centuryLOC classification: ND237.S588 A4 2017Subject: Initially influenced by the work of the abstract expressionists, Frank Stella subsequently rejected the movement in favour of more radical forms. In 1960, Stella presented his first series of aluminium paintings at Leo Castelli, causing the first upset in a long history of experiments that saw him tackling minimalism, post-painterly abstraction, and public art. This book examines Stella's life and career in the context of the contemporary art world, featuring works from his recent blockbuster museum exhibitions as well as landmark works from throughout his career. The book includes a complete visual reportage of Stella's studio in upstate New York, shot by Terry Richardson.
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Books MEF Üniversitesi Kütüphanesi
Genel Koleksiyon ND 237 .S588 A4 2017 (Browse shelf (Opens below)) Available 0020217

Includes bibliographical references (page 157).

Initially influenced by the work of the abstract expressionists, Frank Stella subsequently rejected the movement in favour of more radical forms. In 1960, Stella presented his first series of aluminium paintings at Leo Castelli, causing the first upset in a long history of experiments that saw him tackling minimalism, post-painterly abstraction, and public art. This book examines Stella's life and career in the context of the contemporary art world, featuring works from his recent blockbuster museum exhibitions as well as landmark works from throughout his career. The book includes a complete visual reportage of Stella's studio in upstate New York, shot by Terry Richardson.