Professional practices of human resource management in Hong Kong : linking HRM to organizational success [electronic resource] / edited by Anna P. Y. Tsui and K. T. Lai.
Material type:
TextPublisher: Hong Kong : Hong Kong University Press, 2009Copyright date: ©2009Description: xii, 368 pages : online resourceContent type: text Media type: computer Carrier type: online resourceISBN: 9789888052691 (eISBN)Subject(s): Personnel management -- ChinaAdditional physical formats: Printed edition:: No titleLOC classification: HF5549.2.C6 P76 2009Online resources: e-book Full-text access
In:
JSTOR EBASummary: In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; a time that was also tremendously important in the formation of the psychoanalytic theory of Jacques Lacan. Bringing these figures together, Bristow offers a study that goes beyond, as the film did. He extends Lacan's late topological insights, delves into conceptualisations of desire, in G. W. F. Hegel, Alexandre Kojève, and Lacan himself, and deals with the major themes of cuts (filmic and psychoanalytic); space; silence; surreality; and 'das Ding', in relation to the movie's enigmatic monolith. This book is a tour de force of psychoanalytic theory and space odyssey that will appeal to academics and practitioners of psychoanalysis and film studies, as well as to any fan of Kubrick's work.
| Item type | Current library | Collection | Call number | Status | Notes | Date due | Barcode |
|---|---|---|---|---|---|---|---|
| E-Books | MEF eKitap Kütüphanesi | Jstor e-Book - EBA | HF 5549.2 .C6 P76 2009 (Browse shelf (Opens below)) | Available | JStor | JSTOR00001 |
In 1968, Stanley Kubrick completed and released his magnum opus motion picture 2001: A Space Odyssey; a time that was also tremendously important in the formation of the psychoanalytic theory of Jacques Lacan. Bringing these figures together, Bristow offers a study that goes beyond, as the film did. He extends Lacan's late topological insights, delves into conceptualisations of desire, in G. W. F. Hegel, Alexandre Kojève, and Lacan himself, and deals with the major themes of cuts (filmic and psychoanalytic); space; silence; surreality; and 'das Ding', in relation to the movie's enigmatic monolith. This book is a tour de force of psychoanalytic theory and space odyssey that will appeal to academics and practitioners of psychoanalysis and film studies, as well as to any fan of Kubrick's work.
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