Art and its global histories : a reader / edited by Diana Newall ; with Emma Barker, Warren Carter, Kathleen Christian, and Renate Dohmen.

Contributor(s): Newall, Diana [editor.] | Barker, Emma [editor.] | Carter, Warren [editor.] | Christian, Kathleen (Kathleen Wren), 1971- [editor.] | Dohmen, Renate [editor.]Material type: TextTextLanguage: English Series: Art and its global historiesPublisher: Manchester : Milton Keynes : Manchester University Press ; The Open University, 2017Copyright date: ©2017Description: xiv, 325 pages : illustrations ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 1526119927 (paperback)Subject(s): Art -- History | Art -- Historiography | Art and globalizationLOC classification: N5300 .A78 2017Summary: This Reader represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn'. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching.
Item type Current library Shelving location Call number Copy number Status Date due Barcode
Books MEF Üniversitesi Kütüphanesi
Genel Koleksiyon N 5300 .A78 2017 (Browse shelf (Opens below)) Available 0013152

Includes bibliographical references and index.

This Reader represents an invaluable teaching tool, offering content ranging from academic essays and excerpts, new translations, interviews with curators and artists, to art criticism. The introduction sets out the state of art history today as it undergoes the profound shift of a 'global turn'. Particular focus is given to British India, which represents a shift from the usual attention paid to Orientalism and French art in this period. The sources and debates on this topic have never before been brought together in a satisfactory way and this book will represent a particularly significant and valuable contribution for postgraduate and undergraduate art history teaching.