Mona Hatoum / Michael Archer, Guy Brett, Catherine de Zegher.

By: Archer, Michael, 1954- [author.]Contributor(s): Archer, Michael [author.] | Brett, Guy [author.] | Zegher, M. Catherine de [author.]Material type: TextTextLanguage: English Publisher: London : Phaidon Press, 2010Copyright date: ©2010Description: 159 pages : illustrations ; 29 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780714836607 (paperback)Subject(s): Hatoum, Mona, 1952-LOC classification: N7276.8.H38 A4 2010
Contents:
Artists's Choice.
Artist's Writings.
Subject: Born in the Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid 1970s and where, in 1995, she was nominated for the prestigious Turner Prize. Through performance, video, sculpture and installation she creates architectonic spaces which relate to the body, language and the condition of exile. One of her most spellbinding and best known works is a video installation titled Corps etranger, where the spectator enters a small pavilion and takes a visual journey through all the orifices of the artist's body. Such works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial and otherness. Hatoum's many international exhibitions include the Centre Georges Pompidou, in Paris (1994); her work tours extensively to museums throughout the United States in 1997. The distinguished British critic Guy Brett, explores key themes around a sense of place, the body and communication which emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni. The book also includes Hatoum's own notes, statements and previous interviews. https://www.amazon.com/Mona-Hatoum-Contemporary-Artists-Phaidon/dp/0714836605
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Oversize MEF Üniversitesi Kütüphanesi
Oversize Koleksiyonu N 7276.8 .H38 A4 2010 (Browse shelf (Opens below)) Available 0020262

Artists's Choice.

Artist's Writings.

Born in the Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid 1970s and where, in 1995, she was nominated for the prestigious Turner Prize. Through performance, video, sculpture and installation she creates architectonic spaces which relate to the body, language and the condition of exile. One of her most spellbinding and best known works is a video installation titled Corps etranger, where the spectator enters a small pavilion and takes a visual journey through all the orifices of the artist's body. Such works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial and otherness. Hatoum's many international exhibitions include the Centre Georges Pompidou, in Paris (1994); her work tours extensively to museums throughout the United States in 1997. The distinguished British critic Guy Brett, explores key themes around a sense of place, the body and communication which emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist, Piero Manzoni. The book also includes Hatoum's own notes, statements and previous interviews.

https://www.amazon.com/Mona-Hatoum-Contemporary-Artists-Phaidon/dp/0714836605