The physics and art of photography. Volume 2, Energy and color / John Beaver.

By: Beaver, John Ellis, 1963- [author.]Contributor(s): Morgan & Claypool Publishers [publisher.] | Institute of Physics, IOP - EBA (Great Britain) [publisher.]Material type: TextTextSeries: IOP (Series)Release 5 | IOP concise physicsPublisher: San Rafael [California] (40 Oak Drive, San Rafael, CA, 94903, USA) : Morgan & Claypool Publishers, [2018]Distributor: Bristol [England] (Temple Circus, Temple Way, Bristol BS1 6HG, UK) : IOP Publishing, [2018]Description: 1 online resource (various pagings) : illustrations (some color)Content type: text Media type: electronic Carrier type: online resourceISBN: 9781643273440 ebookOther title: Energy and colorSubject(s): Physical optics | Photography, Artistic | Optical physics | SCIENCE / Physics / Optics & LightAdditional physical formats: Print version:: No titleDDC classification: 535.2 LOC classification: QC395.2 .B437 2018eb vol. 2Online resources: e-book Full-text access Also available in print.
Contents:
part I. Energy and photography. 1. The nature of energy -- 1.1. Energy transfer
2. Energy and exposure -- 2.1. Defining our terms -- 2.2. Tracing the energy from source to camera -- 2.3. The Jones-Condit equation
3. Shutter speed and aperture -- 3.1. Power and shutter speed -- 3.2. Aperture and focal ratio
4. Density and the elements of exposure -- 4.1. Reciprocity and exposure -- 4.2. Camera settings -- 4.3. Choosing between equivalent settings -- 4.4. Exposure value (EV)
5. Metering -- 5.1. Direct-read versus null meters -- 5.2. Reflected-light metering -- 5.3. Incident-light metering -- 5.4. Flash
6. VLS detector photography -- 6.1. An exposure benchmark for VLS photography -- 6.2. VLS photography in context
7. Ephemeral-process (EP) and cyanonegative photography -- 7.1. Cyanonegative and EP wavelength response -- 7.2. Cyanonegative photography -- 7.3. Ephemeral process (EP) photography -- 7.4. Using EP photography to test the Jones-Condit equation
part II. The art and science of color. 8. The physical basis of color -- 8.1. Spectra and sources of light -- 8.2. Color, light sources and light detectors -- 8.3. The reflection curve and the reflected-light spectrum -- 8.4. Physical causes of
9. The physiological basis of color -- 9.1. The three-color model of color perception -- 9.2. Additive and subtractive colors -- 9.3. RGB color arithmetic
10. The psychological basis of color -- 10.1. The opponent-process model of color perception -- 10.2. Yellow without yellow -- 10.3. Seeing and context -- 10.4. HSV and HSL -- 10.5. HSV and RGB
11. Filters -- 11.1. Filters and black and white photography -- 11.2. Filters and color photography -- 11.3. Polarizing filters
12. 'Color' in astronomy -- 13. Color experiments with EP photography.
Abstract: This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the top
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IOP Science eBook - EBA QC395.2 .B437 2018eb vol. 2 (Browse shelf (Opens below)) Available IOP_20210060

"Version: 20181101"--Title page verso.

"A Morgan & Claypool publication as part of IOP Concise Physics"--Title page verso.

Includes bibliographical references.

part I. Energy and photography. 1. The nature of energy -- 1.1. Energy transfer

2. Energy and exposure -- 2.1. Defining our terms -- 2.2. Tracing the energy from source to camera -- 2.3. The Jones-Condit equation

3. Shutter speed and aperture -- 3.1. Power and shutter speed -- 3.2. Aperture and focal ratio

4. Density and the elements of exposure -- 4.1. Reciprocity and exposure -- 4.2. Camera settings -- 4.3. Choosing between equivalent settings -- 4.4. Exposure value (EV)

5. Metering -- 5.1. Direct-read versus null meters -- 5.2. Reflected-light metering -- 5.3. Incident-light metering -- 5.4. Flash

6. VLS detector photography -- 6.1. An exposure benchmark for VLS photography -- 6.2. VLS photography in context

7. Ephemeral-process (EP) and cyanonegative photography -- 7.1. Cyanonegative and EP wavelength response -- 7.2. Cyanonegative photography -- 7.3. Ephemeral process (EP) photography -- 7.4. Using EP photography to test the Jones-Condit equation

part II. The art and science of color. 8. The physical basis of color -- 8.1. Spectra and sources of light -- 8.2. Color, light sources and light detectors -- 8.3. The reflection curve and the reflected-light spectrum -- 8.4. Physical causes of

9. The physiological basis of color -- 9.1. The three-color model of color perception -- 9.2. Additive and subtractive colors -- 9.3. RGB color arithmetic

10. The psychological basis of color -- 10.1. The opponent-process model of color perception -- 10.2. Yellow without yellow -- 10.3. Seeing and context -- 10.4. HSV and HSL -- 10.5. HSV and RGB

11. Filters -- 11.1. Filters and black and white photography -- 11.2. Filters and color photography -- 11.3. Polarizing filters

12. 'Color' in astronomy -- 13. Color experiments with EP photography.

This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the top

Beginning/undergraduate, appropriate for all levels.

Also available in print.

Mode of access: World Wide Web.

System requirements: Adobe Acrobat Reader, EPUB reader, or Kindle reader.

John Beaver is a Professor of Physics and Astronomy at the Fox Valley Campus of University of Wisconsin Oshkosh, where he teaches physics, astronomy, photography and interdisciplinary courses. He earned his BS in physics and astronomy in 1985 fr

Title from PDF title page (viewed on December 14, 2018).