The migrant's paradox : street livelihoods and marginal citizenship in Britain / Suzanne M. Hall.

By: Hall, Suzanne M [author.]Material type: TextTextLanguage: English Series: Globalization and community ; volume 31.Publisher: Minneapolis : University of Minnesota Press, 2021Copyright date: ©2021Description: 217 pages : photographs ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781517910501 (paperback)Subject(s): Immigrants -- Great Britain -- Social conditions -- 21st century | Immigrants -- Great Britain -- Economic conditions -- 21st century | Street life -- Great Britain | Citizenship -- Great Britain | Marginality, Social -- Great BritainLOC classification: DA125.A1 H33 2021
Contents:
Introduction : the migrant's paradox.
One The scale of the migrant.
Two Edge territories.
Three Edge economies.
Four Unheroic resistance.
Five A citizenship of the edge.
Content advice: "Suzanne M. Hall is our Alvin Ailey of urbanism, and this book is an intricate and fiery choreography of the street as an intersection of edge economies, paradoxical injunctions, moving borders, collective ingenuity, and apparatuses of racial control. Street becomes world becomes street, and these inversions bear down hard on those that embody them but who nonetheless materialize fundamental openings in narrowing nationalisms, making their way toward more judicious and generative forms of belonging."—AbdouMaliq Simone, The Urban Institute, University of Sheffield "Suzanne M. Hall's much-anticipated book adopts a wholly original and refreshing perspective on otherwise well-worn topics such as migrant entrepreneurship and ‘ethnic enclave’ economies, repurposing these areas of study into fascinating sites through which to understand momentous global/postcolonial concerns around migration, borders, citizenship, racial capitalism, and the reconfiguration of labor under conditions of postindustrial neoliberal austerity. The Migrant's Paradox radically unsettles the assimilationist complacencies and parochializing conventions that ordinarily surround the customary ways in which migrant entrepreneurs have been studied or conceptualized, and Hall delivers a sensitive ethnographic portrayal in a remarkably eloquent and intelligent voice that makes it a delight to read."—Nicholas De Genova, editor of The Borders of “Europe”: Autonomy of Migration, Tactics of Bordering "Combining thick ethnographic description and striking visual images, Suzanne M. Hall animates differential public infrastructural investments in local thoroughfares and the rich multicultures and transnational associations that spill out of them."—Yasmin Gunaratnam, Goldsmiths University, and Hannah Jones, University of Warwick "Through a multi-scalar ethnography, The Migrant’s Paradox explores streets as relational edge territories defined by their creativity and ongoing “durable precarity.” Hall reminds us that entrepreneurs working in these urban margins must absorb ongoing and sustained economic and political violence."—Huda Tayob, University of Cape Town "As opposed to the endless extolling of the business ethos of (certain) migrant diasporas—an extolling that helps stage newer iterations of the always tired, but always effective, good/bad migrant dichotomy—Hall captures the more solemn reality that scores the migrant, race and small-business interface."—Sivamohan Valluvan, University of Warwick "Incredibly timely."—Ethnic and Racial Studies "The author effectively unpacks how the city excludes, pushing edges further outward, creating an insecure life for migrants and producing their own ‘contested urban economy’. This perspective allows us to understand the UK’s colonial history as it intersects with global displacement and creates urban marginalization... Throughout The Migrant’s Paradox, the author ‘writes the street as world’ through walking, looking, listening and talking in the streets of Birmingham, Manchester, London, Bristol and Leicester. Hall invites the reader to enter into the world of migrants and residents of edge territories." —London School of Economics Review of Books "Hall develops a compelling and original methodological framework for exploring life and space available to migrants by writing the street as world. She does this through extensive ethnographic research accompanied by beautiful architectural drawings of five different streets in deindustrialized cities in England (Birmingham, Bristol, Leicester, London and Manchester)... Hall’s is an eloquently written book that powerfully channels anger at Britain’s hostile environment and its degradation of humanity. Given a tumultuous period over the past six years, it offers a useful, if dismaying, reminder of the political context in Britain – three general elections, the 2008 financial crash and austerity, Brexit, COVID-19... A particular skill in the book is the clear-sighted way in which Hall draws the postcolonial urban politics of the treatment of migrants, such as where the state systematically destroyed documentation that confirmed arrival status of those from former colonies. As Hall argues convincingly, and extending the field in Sociology and Geography, these are racialised politics that mean for some citizenship is always marginal and called into question." —Sociology "Suzanne M. Hall is our Alvin Ailey of urbanism, and this book is an intricate and fiery choreography of the street as an intersection of edge economies, paradoxical injunctions, moving borders, collective ingenuity, and apparatuses of racial control. Street becomes world becomes street, and these inversions bear down hard on those that embody them but who nonetheless materialize fundamental openings in narrowing nationalisms, making their way toward more judicious and generative forms of belonging."—AbdouMaliq Simone, The Urban Institute, University of Sheffield "Suzanne M. Hall's much-anticipated book adopts a wholly original and refreshing perspective on otherwise well-worn topics such as migrant entrepreneurship and ‘ethnic enclave’ economies, repurposing these areas of study into fascinating sites through which to understand momentous global/postcolonial concerns around migration, borders, citizenship, racial capitalism, and the reconfiguration of labor under conditions of postindustrial neoliberal austerity. The Migrant's Paradox radically unsettles the assimilationist complacencies and parochializing conventions that ordinarily surround the customary ways in which migrant entrepreneurs have been studied or conceptualized, and Hall delivers a sensitive ethnographic portrayal in a remarkably eloquent and intelligent voice that makes it a delight to read."—Nicholas De Genova, editor of The Borders of “Europe”: Autonomy of Migration, Tactics of Bordering "Combining thick ethnographic description and striking visual images, Suzanne M. Hall animates differential public infrastructural investments in local thoroughfares and the rich multicultures and transnational associations that spill out of them."—Yasmin Gunaratnam, Goldsmiths University, and Hannah Jones, University of Warwick "Through a multi-scalar ethnography, The Migrant’s Paradox explores streets as relational edge territories defined by their creativity and ongoing “durable precarity.” Hall reminds us that entrepreneurs working in these urban margins must absorb ongoing and sustained economic and political violence."—Huda Tayob, University of Cape Town "As opposed to the endless extolling of the business ethos of (certain) migrant diasporas—an extolling that helps stage newer iterations of the always tired, but always effective, good/bad migrant dichotomy—Hall captures the more solemn reality that scores the migrant, race and small-business interface."—Sivamohan Valluvan, University of Warwick "Incredibly timely."—Ethnic and Racial Studies https://www.amazon.com/Migrants-Paradox-Livelihoods-Citizenship-Globalization/dp/1517910501/ref=sr_1_3?crid=21WOWDMEMKFNS&keywords=the+migrant%27s+paradox&qid=1649674742&s=books&sprefix=the+migrant%27s+parado%2Cstripbooks-intl-ship%2C207&sr=1-3

"To John, Sam, and Gus with love and respect"

Includes bibliographical references (pages 177-201) and index (pages 203-217).

Introduction : the migrant's paradox.

One The scale of the migrant.

Two Edge territories.

Three Edge economies.

Four Unheroic resistance.

Five A citizenship of the edge.

"Suzanne M. Hall is our Alvin Ailey of urbanism, and this book is an intricate and fiery choreography of the street as an intersection of edge economies, paradoxical injunctions, moving borders, collective ingenuity, and apparatuses of racial control. Street becomes world becomes street, and these inversions bear down hard on those that embody them but who nonetheless materialize fundamental openings in narrowing nationalisms, making their way toward more judicious and generative forms of belonging."—AbdouMaliq Simone, The Urban Institute, University of Sheffield

"Suzanne M. Hall's much-anticipated book adopts a wholly original and refreshing perspective on otherwise well-worn topics such as migrant entrepreneurship and ‘ethnic enclave’ economies, repurposing these areas of study into fascinating sites through which to understand momentous global/postcolonial concerns around migration, borders, citizenship, racial capitalism, and the reconfiguration of labor under conditions of postindustrial neoliberal austerity. The Migrant's Paradox radically unsettles the assimilationist complacencies and parochializing conventions that ordinarily surround the customary ways in which migrant entrepreneurs have been studied or conceptualized, and Hall delivers a sensitive ethnographic portrayal in a remarkably eloquent and intelligent voice that makes it a delight to read."—Nicholas De Genova, editor of The Borders of “Europe”: Autonomy of Migration, Tactics of Bordering

"Combining thick ethnographic description and striking visual images, Suzanne M. Hall animates differential public infrastructural investments in local thoroughfares and the rich multicultures and transnational associations that spill out of them."—Yasmin Gunaratnam, Goldsmiths University, and Hannah Jones, University of Warwick

"Through a multi-scalar ethnography, The Migrant’s Paradox explores streets as relational edge territories defined by their creativity and ongoing “durable precarity.” Hall reminds us that entrepreneurs working in these urban margins must absorb ongoing and sustained economic and political violence."—Huda Tayob, University of Cape Town

"As opposed to the endless extolling of the business ethos of (certain) migrant diasporas—an extolling that helps stage newer iterations of the always tired, but always effective, good/bad migrant dichotomy—Hall captures the more solemn reality that scores the migrant, race and small-business interface."—Sivamohan Valluvan, University of Warwick



"Incredibly timely."—Ethnic and Racial Studies

"The author effectively unpacks how the city excludes, pushing edges further outward, creating an insecure life for migrants and producing their own ‘contested urban economy’. This perspective allows us to understand the UK’s colonial history as it intersects with global displacement and creates urban marginalization... Throughout The Migrant’s Paradox, the author ‘writes the street as world’ through walking, looking, listening and talking in the streets of Birmingham, Manchester, London, Bristol and Leicester. Hall invites the reader to enter into the world of migrants and residents of edge territories." —London School of Economics Review of Books

"Hall develops a compelling and original methodological framework for exploring life and space available to migrants by writing the street as world. She does this through extensive ethnographic research accompanied by beautiful architectural drawings of five different streets in deindustrialized cities in England (Birmingham, Bristol, Leicester, London and Manchester)... Hall’s is an eloquently written book that powerfully channels anger at Britain’s hostile environment and its degradation of humanity. Given a tumultuous period over the past six years, it offers a useful, if dismaying, reminder of the political context in Britain – three general elections, the 2008 financial crash and austerity, Brexit, COVID-19... A particular skill in the book is the clear-sighted way in which Hall draws the postcolonial urban politics of the treatment of migrants, such as where the state systematically destroyed documentation that confirmed arrival status of those from former colonies. As Hall argues convincingly, and extending the field in Sociology and Geography, these are racialised politics that mean for some citizenship is always marginal and called into question." —Sociology

"Suzanne M. Hall is our Alvin Ailey of urbanism, and this book is an intricate and fiery choreography of the street as an intersection of edge economies, paradoxical injunctions, moving borders, collective ingenuity, and apparatuses of racial control. Street becomes world becomes street, and these inversions bear down hard on those that embody them but who nonetheless materialize fundamental openings in narrowing nationalisms, making their way toward more judicious and generative forms of belonging."—AbdouMaliq Simone, The Urban Institute, University of Sheffield

"Suzanne M. Hall's much-anticipated book adopts a wholly original and refreshing perspective on otherwise well-worn topics such as migrant entrepreneurship and ‘ethnic enclave’ economies, repurposing these areas of study into fascinating sites through which to understand momentous global/postcolonial concerns around migration, borders, citizenship, racial capitalism, and the reconfiguration of labor under conditions of postindustrial neoliberal austerity. The Migrant's Paradox radically unsettles the assimilationist complacencies and parochializing conventions that ordinarily surround the customary ways in which migrant entrepreneurs have been studied or conceptualized, and Hall delivers a sensitive ethnographic portrayal in a remarkably eloquent and intelligent voice that makes it a delight to read."—Nicholas De Genova, editor of The Borders of “Europe”: Autonomy of Migration, Tactics of Bordering

"Combining thick ethnographic description and striking visual images, Suzanne M. Hall animates differential public infrastructural investments in local thoroughfares and the rich multicultures and transnational associations that spill out of them."—Yasmin Gunaratnam, Goldsmiths University, and Hannah Jones, University of Warwick

"Through a multi-scalar ethnography, The Migrant’s Paradox explores streets as relational edge territories defined by their creativity and ongoing “durable precarity.” Hall reminds us that entrepreneurs working in these urban margins must absorb ongoing and sustained economic and political violence."—Huda Tayob, University of Cape Town

"As opposed to the endless extolling of the business ethos of (certain) migrant diasporas—an extolling that helps stage newer iterations of the always tired, but always effective, good/bad migrant dichotomy—Hall captures the more solemn reality that scores the migrant, race and small-business interface."—Sivamohan Valluvan, University of Warwick



"Incredibly timely."—Ethnic and Racial Studies

https://www.amazon.com/Migrants-Paradox-Livelihoods-Citizenship-Globalization/dp/1517910501/ref=sr_1_3?crid=21WOWDMEMKFNS&keywords=the+migrant%27s+paradox&qid=1649674742&s=books&sprefix=the+migrant%27s+parado%2Cstripbooks-intl-ship%2C207&sr=1-3