The break with the past : avant-garde architecture in Germany, 1910-1925 / Deborah Ascher Barnstone.
Material type:
Item type | Current library | Shelving location | Call number | Status | Date due | Barcode |
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Books | MEF Üniversitesi Kütüphanesi | Genel Koleksiyon | NA 1068 .B25 2018 (Browse shelf (Opens below)) | Available | 0019851 |
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NA 1053 .J4 C5 1960 Le corbusier / | NA 1053 .J4 C67 2019 Le Corbusier, kendi penceresinden bir adam : seçme yazılar 1925-1960 / | NA 1053 .T47 O98 2000 Yaşadıkça öğrenmek Karl Terzaghı'nin hayatı / | NA 1068 .B25 2018 The break with the past : avant-garde architecture in Germany, 1910-1925 / | NA 1068 .T85 2004 Two German architectures : 1949-1989 / | NA 1068.5 .M63 B37 2019 Bauhaus 100 sites of modernism : a grand tour / | NA 1068.5 .M63 O87 2019 Our Bauhaus heritage : unser Bauhaus erbe / |
"To Franziska Bollerey, my Doktor Mutter, for all her inspiration and help."
Includes bibliographical references (pages 205-208) and index (pages 209-213).
1. Introduction : Architecture in transition : Germany's avant-garde in World War 1 and the Weimar Republic
2. Bruno Taut : before the war
3. Bruno Taut : war years' resistance
4. Bruno Taut : leading the avant-garde
5. Walter Gropius : career beginnings
6. Walter Gropius : war service on the Western Front
7. Walter Gropius : rise to prominence
8. Erich Mendelsohn : a born revolutionary
9. Erich Mendelsohn : the war years
10. Erich Mendelsohn : after the war
11. Hans Scharoun : Bremen and Berlin
12. Hans Scharoun : on the Eastern Front
13. Hans Scharoun : the interwar years
14. Art and the revolution
Between 1918 and 1933 the German interwar avant-garde was a primary force driving European cultural innovation and modernism. These innovations continue to influence artistic practice, theory, and arts education today, thus making a comprehensive study of the relationship between individual war experience and the immediate response of avant-garde architects after the war all the more important.
The Break with the Past pursues several important, interrelated questions. What were the disparate war experiences of German architects, and did they have different effects on Weimar cultural production? Did political orientation play a part in support for the war? In aesthetic choices? What changes occurred in avant-garde architectural practice after 1918? How do they compare with pre-war positions and practices, and expectations for post-war outcomes? In order to address these questions, the book uses individual case studies of four leading architects: Bruno Taut, Walter Gropius, Erich Mendelsohn, and Hans Scharoun.
This is a valuable resource for academics and students in the areas of Art and Architecture History, German history and Cultural Studies, European Culture and Modernism.