Byzantium/modernism : the Byzantine as method in modernity / edited by Roland Betancourt, Maria Taroutina.
Material type:
Item type | Current library | Shelving location | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
Books | MEF Üniversitesi Kütüphanesi | Genel Koleksiyon | BH 221 .B99 B99 2015 (Browse shelf (Opens below)) | Available | 0019831 |
Browsing MEF Üniversitesi Kütüphanesi shelves, Shelving location: Genel Koleksiyon Close shelf browser (Hides shelf browser)
![]() |
No cover image available |
![]() |
![]() |
![]() |
![]() |
![]() |
||
BH 151 .R3411 2018 Aisthesis : sanatın estetik rejiminden sahneler / | BH 181 .H619 2020 Güzelliğin analizi / | BH 181 .K35 2012 Kant, Schiller, Heidegger : estetik ve edebiyat/ | BH 221 .B99 B99 2015 Byzantium/modernism : the Byzantine as method in modernity / | BH 301 .M54 G26 1993 Geçmişiyle geleceği arasında kıvranan sanat : çağdaşlık sorunları / | BH 301 .P64 A39 2019 Aesthetics equals politics : new discourses across art, architecture, and philosophy / | BH 301 .S69 Z49 2020 Sanatın karanlığı : insanlar bunu kendileri yapmıştı / |
Includes bibliographical references (pages 361-366) and index (pages 367-369).
Part 1 Byzantium and modernism. Section 1 The avant-gardes and their counter movements -- Section 2 Modenism's precursors -- Section 3 Byzantine tactics, modernist strategies in architectural discourse.
Part 2 The slash as method. Section 4 Reading across time: Modern subjects, Byzantine objects -- Section 5 Byzantine new media: The photographic and filmic icon -- Section 6 Presence, representation, and the Gaze: The Byzantine at the ends of modernity.
Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend.