Amunt / texts by Christian Holl, Moritz Küng, Amunt ; director and editor Moisés Puente ; translation James Roderick O'Donovan, David Koralek, Rachel Hill ; photographs by Brigida Gonzalez and Filip Dujardin.

By: Amunt (Group)Contributor(s): Nagel, Sonja [editor.] | Holl, Christian [author.] | Küng, Moritz [author.] | Puente, Moisés, 1969- [editor.] | Gonzalez, Brigida [photographer] | O'Donovan, James Roderick [translator.] | Koralek, David [translator.] | Hill, Rachel [translator.]Material type: TextTextLanguage: English, German Series: 2G ; 75.Publisher: London : Koenig Books, 2017Manufacturer: Barcelona : agpograf impressors. Copyright date: ©2017Edition: First published by Koenig BooksDescription: 160 pages : illustrations, plans ; 31 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9783960980278 (paperback)Other title: 2G75 Amunt [Parallel title]Subject(s): Amunt (Group) -- catalogs | Architecture, Domestic -- Germany -- 21st Century | Building | Architecture -- Periodicals | Architecture, Modern | Architectural structuresLOC classification: NA1088.A48 A4 2017Subject: The work of architects Sonja Nagel, Jan Theissen and Björn Martenson, who since 2010 have worked under the name Amunt, can hardly be described as stringent or straightlined. Consisting for the most part of small houses, adaptations, extensions, interior fitting-outs and spatial interventions, their oeuvre is particularly interesting precisely because it is produced through a constant and intensive examination of everything that could be described as context, in the broadest sense of the term
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Genel Koleksiyon NA 1088 .A48 A4 2017 (Browse shelf (Opens below)) Available 0020154

The work of architects Sonja Nagel, Jan Theissen and Björn Martenson, who since 2010 have worked under the name Amunt, can hardly be described as stringent or straightlined. Consisting for the most part of small houses, adaptations, extensions, interior fitting-outs and spatial interventions, their oeuvre is particularly interesting precisely because it is produced through a constant and intensive examination of everything that could be described as context, in the broadest sense of the term