| 000 -LEADER |
|---|
| fixed length control field |
03502cam a2200337 i 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
114 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
141027s19941994nyu b 001 0 eng u |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0151957479 |
| Qualifying information |
(paperback) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
TR-IsMEF |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
TR-IsMEF |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
TR-IsMEF |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
PN81 |
| Item number |
.B56 1994 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bloom, Harold, |
| Dates associated with a name |
1930-, |
| Relator term |
author. |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The Western canon : |
| Remainder of title |
the books and school of the ages / |
| Statement of responsibility, etc. |
Harold Bloom. |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York ; |
| -- |
London : |
| Name of producer, publisher, distributor, manufacturer |
Harcourt Brace, |
| Date of production, publication, distribution, manufacture, or copyright notice |
1994. |
| 264 4# - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©1994. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
viii, 578 pages ; |
| Dimensions |
20 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Originally published: 1st ed. New York : Harcourt Brace, 1994. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
On the canon: an elegy for the canon -- The aristocratic age: Shakespeare, center of the canon. The strangeness of Dante : Ulysses and Beatrice. Chaucer : the wife of Bath, the pardoner, and Shakespearean character. Cervantes : the play of the world. Montaigne and Molière : the canonical elusiveness of the truth. Milton's Satan and Shakespeare. Dr. Samuel Johnson, the canonical critic. Goethe's Faust, part two : the countercanonical poem -- The democratic age: Canonical memory in early Wordsworth and Jane Austen's Persuasion. Walt Whitman as center of the American canon. Emily Dickinson : blanks, transports, the dark. The canonical novel : Dicken's Bleak House, George Eliot's Middlemarch. Tolstoy and heroism. Ibsen : trolls and Peer Gynt -- The chaotic age: Freud : a Shakespearean reading. Proust : the true persuasion of sexual jealousy. Joyce's Agon with Shakespeare. Woolf's Orlando : feminism as the love of reading. Kafka : canonical patience and "indestructibility". Borges, Neruda, and Pessoa : Hispanic-Portuguese Whitman. Beckett ... Joyce ... Proust ... Shakespeare -- cataloging the canon: Elegiac conclusion --Appendixes |
| 520 1# - SUMMARY, ETC. |
|---|
| Summary, etc |
"Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism." "Insisting instead upon "the autonomy of the aesthetic, " Bloom places Shakespeare at the center of the Western Canon. Shakespeare has become the touchstone for all writers who come before and after him, whether playwrights poets or storytellers. In the creation of character, Bloom maintains, Shakespeare has no true precursor and has left no one after him untouched. Milton, Samuel Johnson, Goethe, Ibsen, Joyce, and Beckett were allindebted to him; Tolstoy and Freud rebelled against him; Proust, the modern Hispanic and Portuguese writers Borges, Neruda, and Pessoa are exquisite examples of how canonical writing is born of an originality fused with tradition." "Bloom concludes this provocative, trenchant work with a complete list of essential writers and books - his vision of the Canon."--Jacket |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Canon (Literature) |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Literature |
| General subdivision |
History and criticism. |
| 900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
|---|
| Personal name |
MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules |
| 920 ## - - |
|---|
| - |
Bağış sahibi bilinmiyor. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
KOHA |