| 000 -LEADER |
|---|
| fixed length control field |
04972nam a2201021 i 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
KOHA |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20241025133803.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
220416s2013 us a 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780300244229 |
| Qualifying information |
(paperback) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
TR-IsMEF |
| Language of cataloging |
eng |
| Transcribing agency |
TR-IsMEF |
| Description conventions |
rda |
| 041 0# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
NA859.B37 |
| Item number |
L55 2013 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lima, Zeuler Rocha Mello de Almeida, |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Lina Bo Bardi / |
| Statement of responsibility, etc. |
Zeuler R. M. de A. Lima ; foreword by Barry Bergdoll ; cover illustration Salvador ; photograph by Zeuler R. Lima. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New Haven : |
| -- |
London : |
| Name of producer, publisher, distributor, manufacturer |
Yale University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2013. |
| 264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
China : |
| Name of producer, publisher, distributor, manufacturer |
Regent Publishing Services Ltd. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
©2013 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
239 pages : |
| Other physical details |
illustrations, photographs ; |
| Dimensions |
27 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
"The work is the death mask of its conception." <br/> - Walter Benjamin, One-Way Street, 1928" |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 217-233) ans pages (234-239). |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Prologue. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A Girl in Pants. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
On Becoming an Architect. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Paper Architecture. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Basta! |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
An Odyssey and an Enterprise. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
From War Ruins to Culture Clashes. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Ventures and Adventures in Design. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Between Crisis and Opportunity. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Theory and Action. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Eyes Wide Open. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Between Two Worlds. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Irreverence at Work. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Legacies to Be Remembered. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A Museum Within Everyone's Reach. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Everyday Theater. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Rehearsing an Anthropological Quest. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A Bowl of Soup for the People. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A Rugged Field, a Hefty Crop. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
This Is Not a Tourist City. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
A Wonderful Tangle. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Epilogue. |
| 520 0# - SUMMARY, ETC. |
|---|
| Summary, etc |
One of the most important architects of the twentieth century, Lina Bo Bardi (1914–1992) was remarkably prolific and intriguingly idiosyncratic. A participant in the efforts to reshape Italian culture in her youth, Bo Bardi immigrated to Brazil in 1946, where her practice evolved within the social and cultural realities of her adopted country. While she continued to work with industrial materials, she added simple building techniques and naturalistic forms to her designs, striving to create large, multiuse spaces that promoted public life.<br/><br/>Lina Bo Bardi is the first comprehensive study of the architect’s life and work. Author Zeuler Lima, the leading authority on Bo Bardi, presents her activities on two continents, examining how ethical and social considerations influenced her intellectual engagement with modern architecture and providing an indispensable guide to her writings and her experimental, iconic designs.--backover. |
| Uniform Resource Identifier |
<a href="https://www.amazon.com/Lina-Bo-Bardi-Zeuler-Lima/dp/0300244223">https://www.amazon.com/Lina-Bo-Bardi-Zeuler-Lima/dp/0300244223</a> |
| 600 #0 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bardi, Lina Bo, |
| Dates associated with a name |
1914-1992 |
| Form subdivision |
Exhibitions |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bardi, Lina Bo, |
| Dates associated with a name |
1914-1992. |
| Title of a work |
Works |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Architecture |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bergdoll, Barry, |
| Relator term |
foreword. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Salvador, |
| Relator term |
cover designer. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
R. Lima, Zeuler, |
| Relator term |
photographer. |
| 900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
|---|
| Personal name |
MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules |
| 910 ## - USER-OPTION DATA (OCLC) |
|---|
| User-option data |
Homer Kitabevi |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
| Koha issues (borrowed), all copies |
4 |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Contents. |
| 970 01 - REFERENCES |
|---|
| Title of a work |
Foreword by Barry Bergdoll, |
| Pages |
vii. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Preface, |
| Pages |
xi. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Acknowledgments, |
| Pages |
xiv. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Prologue, |
| Pages |
2. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
A Girl in Pants, |
| Pages |
5. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
On Becoming an Architect, |
| Pages |
12. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Paper Architecture, |
| Pages |
19. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Basta!, |
| Pages |
27. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
An Odyssey and an Enterprise, |
| Pages |
36. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
From War Ruins to Culture Clashes, |
| Pages |
44. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Ventures and Adventures in Design, |
| Pages |
52. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Between Crisis and Opportunity, |
| Pages |
66. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Theory and Action, |
| Pages |
73. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Eyes Wide Open, |
| Pages |
83. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Between Two Worlds, |
| Pages |
91. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Irreverence at Work, |
| Pages |
101. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Legacies to Be Remembered, |
| Pages |
112. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
A Museum Within Eveyone's Reach, |
| Pages |
122. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Everyday Theater, |
| Pages |
138. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Rehearsing an Anthropological Quest, |
| Pages |
146. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
A Bowl of Soup for the People, |
| Pages |
158. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
A Rugged Field, a Hefty Crop, |
| Pages |
175. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
This Is Not a Tourist City, |
| Pages |
185. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
A Wonderful Tangle, |
| Pages |
202. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Epilogue, |
| Pages |
213. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Appendix |
| Pages |
214. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Abbreviations, |
| Pages |
216. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Notes, |
| Pages |
217. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Index, |
| Pages |
234. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Illustrations Credits, |
| Pages |
240. |