000 -LEADER |
fixed length control field |
06669nam a2201237 i 4500 |
001 - CONTROL NUMBER |
control field |
17031249 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
KOHA |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220401142224.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220301s2012 nyua 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2011045489 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780823006731 |
Qualifying information |
(hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780823006748 |
Qualifying information |
(e-book) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Transcribing agency |
DLC |
Modifying agency |
DLC |
-- |
TR-IsMEF |
Language of cataloging |
eng |
Description conventions |
rda |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ND2420 |
Item number |
.H63 2012 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Hoffmann, Tom, |
Fuller form of name |
(Thomas Burton), |
Dates associated with a name |
1947- |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Watercolor painting : |
Remainder of title |
a comprehensive approach to mastering the medium / |
Statement of responsibility, etc. |
Tom Hoffmann. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Watson-Guptill Publications, |
Date of production, publication, distribution, manufacture, or copyright notice |
2012. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2012. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
208 pages : |
Other physical details |
illustrations ; |
Dimensions |
29 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
Includes index (page 208). |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction. Understanding watercolor. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter One Translating a subject into watercolor. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Two Knowing what not to paint. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Three Seeing in layers. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Four Understanding value. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Five Being comfortable with wetness. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Six Getting the most out of color. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Seven Developing an instinct for composition. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Chapter Eight Becoming your own teacher. |
520 ## - SUMMARY, ETC. |
Summary, etc |
The beauty of a watercolor painting lies in its diaphanous layers, delicate strokes, and luminous washes. However, the very features that define the beauty of the medium can make it difficult to master. This complete guide to understanding the relationships between color, value, wetness, and composition unravels the mysteries of watercolor to help your practice evolve. <br/><br/>Experienced teacher and acclaimed artist Tom Hoffmann offers a unique, inquiry-based approach that shows you how to translate any subject into the language of watercolor. With Hoffmann as your guide, you’ll learn the key questions to ask yourself at every turn and time-tested methods to help you reach solutions. <br/><br/>Hoffmann’s thorough explanations and step-by-step demonstrations delineate the process of composing a painting in watercolor, while art from more than thirty-five past and present masters, including John Singer Sargent, Ogden Pleissner, George Post, Emil Kosa, Jr., Mary Whyte, Trevor Chamberlain, Lars Lerin, Torgeir Schjølberg, Piet Lap, Leslie Frontz, and Alvaro Castagnet serve to illustrate and inspire. Whether you’re a serious beginner or a seasoned practitioner, this book will guide you toward the all-important balance between restraint and risk-taking that every watercolorist seeks. |
Uniform Resource Identifier |
<a href="https://www.amazon.com/Watercolor-Painting-Comprehensive-Approach-Mastering/dp/0823006735">https://www.amazon.com/Watercolor-Painting-Comprehensive-Approach-Mastering/dp/0823006735</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Watercolor painting |
General subdivision |
Technique |
900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
Personal name |
MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules |
910 ## - USER-OPTION DATA (OCLC) |
User-option data |
Homer Kitabevi. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Books |
970 01 - REFERENCES |
unimportant Title |
CONTENTS, |
Pages |
7. |
970 01 - REFERENCES |
unimportant Title |
INTRODUCTION, |
Title of a work |
UNDERSTANDING WATERCOLOR, |
Pages |
9. |
970 12 - REFERENCES |
Chapters |
CHAPTER ONE |
Title of a work |
TRANSLATING A SUBJECT INTO THE LANGUAGE OF WATERCOLOR, |
Pages |
17. |
970 11 - REFERENCES |
Title of a work |
Being Mindful of Your Subject, |
Pages |
20. |
970 11 - REFERENCES |
Title of a work |
Revisiting Your Purpose, |
Pages |
23. |
970 11 - REFERENCES |
Title of a work |
Identifying the Tricky Parts, |
Pages |
24. |
970 11 - REFERENCES |
Title of a work |
Knowing Where to Begin, |
Pages |
29. |
970 11 - REFERENCES |
Title of a work |
Knowing Where to Stop, |
Pages |
36. |
970 11 - REFERENCES |
Title of a work |
Maintaining Intentionality with Your Marks, |
Pages |
39. |
970 11 - REFERENCES |
Title of a work |
Recognizing What Works, |
Pages |
39. |
970 11 - REFERENCES |
Title of a work |
Using the Language of Form, |
Pages |
40. |
970 12 - REFERENCES |
Chapters |
CHAPTER TWO |
Title of a work |
KNOWING WHAT NOT TO PAINT, |
Pages |
43. |
970 11 - REFERENCES |
Title of a work |
Identifying the Major Shapes, |
Pages |
47. |
970 11 - REFERENCES |
Title of a work |
Creating a Five-Value Monochrome Study, |
Pages |
48. |
970 11 - REFERENCES |
Title of a work |
Evaluating a Simplified Study, |
Pages |
51. |
970 11 - REFERENCES |
Title of a work |
Creating a Two-Layer Geometric Sketch, |
Pages |
52. |
970 11 - REFERENCES |
Title of a work |
Thinking about Stopping, |
Pages |
55. |
970 11 - REFERENCES |
Title of a work |
Creating a Three-Layer Thumbnail Sketch, |
Pages |
58. |
970 12 - REFERENCES |
Chapters |
CHAPTER THREE |
Title of a work |
SEEING IN LAYERS, |
Pages |
63. |
970 11 - REFERENCES |
Title of a work |
Resolving an Image through Layers. |
Pages |
66. |
970 11 - REFERENCES |
Title of a work |
Learning to Exercise Restraint, |
Pages |
71. |
970 11 - REFERENCES |
Title of a work |
Identifying Individual Layers, |
Pages |
76. |
970 11 - REFERENCES |
Title of a work |
Evaluating the Layers, |
Pages |
80. |
970 12 - REFERENCES |
Chapters |
CHAPTER FOUR |
Title of a work |
UNDERSTANDING VALUE, |
Pages |
85. |
970 11 - REFERENCES |
Title of a work |
Identifying the Lightest Part of the Picture, |
Pages |
88. |
970 11 - REFERENCES |
Title of a work |
Reserving the Whites. |
Pages |
90. |
970 11 - REFERENCES |
Title of a work |
Reserving Non-White Elements, |
Pages |
93. |
970 11 - REFERENCES |
Title of a work |
Identifying the Darkest Part of the Picture, |
Pages |
93. |
970 11 - REFERENCES |
Title of a work |
Bracketing the Values, |
Pages |
96. |
970 11 - REFERENCES |
Title of a work |
Knowing How Dark You Can Go, |
Pages |
98. |
970 11 - REFERENCES |
Title of a work |
Critiquing the Darks, |
Pages |
100. |
970 11 - REFERENCES |
Title of a work |
Knowing When to Depart from "Accuracy", |
Pages |
102. |
970 12 - REFERENCES |
Chapters |
CHAPTER FIVE |
Title of a work |
SHARING CONTROL OF WETNESS, |
Pages |
107. |
970 11 - REFERENCES |
Title of a work |
Working with Hard and Soft Edges, |
Pages |
108. |
970 11 - REFERENCES |
Title of a work |
Planning the Wetness of the Paper, |
Pages |
113. |
970 11 - REFERENCES |
Title of a work |
Providing Enough Time for Each Task, |
Pages |
116. |
970 11 - REFERENCES |
Title of a work |
Gauging How Much Paint You Need. |
Pages |
120. |
970 11 - REFERENCES |
Title of a work |
Gauging the Wetness of the Brush, |
Pages |
123. |
970 11 - REFERENCES |
Title of a work |
Rewetting an Area, |
Pages |
126. |
970 11 - REFERENCES |
Title of a work |
Knowing When to Depart from "Accuracy", |
Pages |
129. |
970 12 - REFERENCES |
Chapters |
CHAPTER SIX |
Title of a work |
GETTING THE MOST OUT OF COLOR, |
Pages |
133. |
970 11 - REFERENCES |
Title of a work |
Serving Your Main Goals with Color, |
Pages |
134. |
970 11 - REFERENCES |
Title of a work |
Evaluating Your Palette, |
Pages |
138. |
970 11 - REFERENCES |
Title of a work |
Mixing Your Colors, |
Pages |
142. |
970 11 - REFERENCES |
Title of a work |
Identifying the Dominant Color, |
Pages |
144. |
970 11 - REFERENCES |
Title of a work |
Evaluating the Effects of Color Temperature, |
Pages |
146. |
970 11 - REFERENCES |
Title of a work |
Knowing When to Depart from "Accuracy", |
Pages |
155. |
970 11 - REFERENCES |
Title of a work |
Enlivening Your Darks, |
Pages |
159. |
970 11 - REFERENCES |
Title of a work |
Choosing Color for Your Neutrals, |
Pages |
160. |
970 12 - REFERENCES |
Chapters |
CHAPTER SEVEN |
Title of a work |
DEVELOPING AN INSTINCT FOR COMPOSITION. |
Pages |
165. |
970 11 - REFERENCES |
Title of a work |
Sketching Your Subject, |
Pages |
168. |
970 11 - REFERENCES |
Title of a work |
Translating Form into Content, |
Pages |
170. |
970 11 - REFERENCES |
Title of a work |
Knowing When to Depart from "Accuracy", |
Pages |
174. |
970 11 - REFERENCES |
Title of a work |
Creating the Illusion of Space, |
Pages |
176. |
970 11 - REFERENCES |
Title of a work |
Being Mindful of Abstraction, |
Pages |
179. |
970 11 - REFERENCES |
Title of a work |
Establishing Balance, |
Pages |
183. |
970 12 - REFERENCES |
Chapters |
CHAPTER EIGHT |
Title of a work |
BECOMING YOUR OWN TEACHER, |
Pages |
189. |
970 11 - REFERENCES |
Title of a work |
Identifying the Qualities of a Good Teacher, |
Pages |
190. |
970 11 - REFERENCES |
Title of a work |
Establishing Who Is in Charge, |
Pages |
190. |
970 11 - REFERENCES |
Title of a work |
Painting for Its Own Sake, |
Pages |
194. |
970 11 - REFERENCES |
Title of a work |
Devising Alternate Strategies, |
Pages |
195. |
970 11 - REFERENCES |
Title of a work |
Identifying What Worked Well, |
Pages |
198. |
970 11 - REFERENCES |
Title of a work |
Expanding Your Range, |
Pages |
202. |
970 11 - REFERENCES |
Title of a work |
Asking the Questions, |
Pages |
205. |
970 11 - REFERENCES |
Title of a work |
Parting Thoughts, |
Pages |
206. |
970 01 - REFERENCES |
unimportant Title |
INDEX, |
Pages |
208. |