000 -LEADER |
fixed length control field |
05628nam a2200937 i 4500 |
001 - CONTROL NUMBER |
control field |
99108774793506421 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
KOHA |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220427100425.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220407s2018 enka 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780500239773 |
Qualifying information |
(hardback) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
ERASA |
Language of cataloging |
eng |
Transcribing agency |
ERASA |
Modifying agency |
YDX |
-- |
QGJ |
-- |
CDX |
-- |
TR-IsMEF |
Description conventions |
rda |
041 0# - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ND470 |
Item number |
.G39 2018 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Gayford, Martin, |
Dates associated with a name |
1952-, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Modernists & mavericks : |
Remainder of title |
Bacon, Freud, Hockney & the London painters / |
Statement of responsibility, etc. |
Martin Gayford. |
250 ## - EDITION STATEMENT |
Edition statement |
Reprinted 2018. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Thames & Hudson Ltd, |
Date of production, publication, distribution, manufacture, or copyright notice |
2018. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©2018 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
352 pages : |
Other physical details |
illustrations, photographs ; |
Dimensions |
25 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 344-345) and index(348-352). |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
1. Young Lucian: Art in Wartime London. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
2. Pope Francis. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
3. Euston Road in Camberwell. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
4. Spirit in the Mass: the Borough Polytechnic. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
5. Girl with Roses. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
6. Leaping into the Void. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
7. Life into Art: Bacon and Freud in the 1950s. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
8. Two Climbers Roped Together. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
9. What Makes the Modern Home so Different?. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
10. An Arena in which to Act. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
11. The Situation in London, 1960. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
12. The Artist Thinks: Hockney and his Contemporaries. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
13. The Grin without the Cat: Bacon and Freud in the 1960s. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
14. American Connections. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
15. Mysterious Conventionality. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
16. Portrait Surrounded by Artistic Devices. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
17. Shimmering and Dissolving. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
18. The Non-Existence of Acton. |
520 0# - SUMMARY, ETC. |
Summary, etc |
Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves<br/><br/>The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley.<br/><br/>Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.<br/><br/>100+ illustrations, 70 in color--backover. |
Uniform Resource Identifier |
<a href="https://www.amazon.com/Modernists-Mavericks-Hockney-London-Painters/dp/0500239770">https://www.amazon.com/Modernists-Mavericks-Hockney-London-Painters/dp/0500239770</a> |
600 1# - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Bacon, Francis, |
Dates associated with a name |
1909-1992 |
600 1# - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Freud, Lucian, |
600 1# - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Hockney, David, |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Painting, English, |
Geographic subdivision |
England |
-- |
London |
Chronological subdivision |
20th century |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Intellectual life |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Painting |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
London (England) |
General subdivision |
Intellectual life |
Chronological subdivision |
20th century |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
London (England) |
900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
Personal name |
MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules |
910 ## - USER-OPTION DATA (OCLC) |
User-option data |
Pandora |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Books |
970 01 - REFERENCES |
unimportant Title |
Contents. |
970 01 - REFERENCES |
unimportant Title |
Introduction, |
Pages |
6. |
970 11 - REFERENCES |
Chapters |
1 |
Title of a work |
Young Lucian: Art in Wartime London, |
Pages |
11. |
970 11 - REFERENCES |
Chapters |
2 |
Title of a work |
Pope Francis, |
Pages |
22. |
970 11 - REFERENCES |
Chapters |
3 |
Title of a work |
Euston Road in Camberwell, |
Pages |
40. |
970 11 - REFERENCES |
Chapters |
4 |
Title of a work |
Spirit in the Mass: the Borough Polytechnic, |
Pages |
59. |
970 11 - REFERENCES |
Chapters |
5 |
Title of a work |
Girl with Roses, |
Pages |
69. |
970 11 - REFERENCES |
Chapters |
6 |
Title of a work |
Leaping into the Void, |
Pages |
88. |
970 11 - REFERENCES |
Chapters |
7 |
Title of a work |
Life into Art: Bacon and Freud in the 1950s, |
Pages |
107. |
970 11 - REFERENCES |
Chapters |
8 |
Title of a work |
Two Climbers Roped Together, |
Pages |
125. |
970 11 - REFERENCES |
Chapters |
9 |
Title of a work |
What Makes the Modern Home so Different?, |
Pages |
137. |
970 11 - REFERENCES |
Chapters |
10 |
Title of a work |
An Arena in which to Act, |
Pages |
158. |
970 11 - REFERENCES |
Chapters |
11 |
Title of a work |
The Situation in London, 1960, |
Pages |
175. |
970 11 - REFERENCES |
Chapters |
12 |
Title of a work |
The Artist Thinks: Hockney and his Contemporaries, |
Pages |
194. |
970 11 - REFERENCES |
Chapters |
13 |
Title of a work |
The Grin without the Cat: Bacon and Freud in the 1960s, |
Pages |
206. |
970 11 - REFERENCES |
Chapters |
14 |
Title of a work |
American Connections, |
Pages |
225. |
970 11 - REFERENCES |
Chapters |
15 |
Title of a work |
Mysterious Conventionally, |
Pages |
246. |
970 11 - REFERENCES |
Chapters |
16 |
Title of a work |
Portrait Surrounded by Artistic Devices, |
Pages |
267. |
970 11 - REFERENCES |
Chapters |
17 |
Title of a work |
Shimmering and Dissolving, |
Pages |
290. |
970 11 - REFERENCES |
Chapters |
18 |
Title of a work |
The Non-Existence of Acton, |
Pages |
313. |
970 01 - REFERENCES |
unimportant Title |
Epilogue, |
Pages |
334. |
970 01 - REFERENCES |
unimportant Title |
Notes, |
Pages |
340. |
970 01 - REFERENCES |
unimportant Title |
Bibliography, |
Pages |
344. |
970 01 - REFERENCES |
unimportant Title |
Picture Credits, |
Pages |
346. |
970 01 - REFERENCES |
unimportant Title |
Acknowledgments, |
Pages |
347. |
970 01 - REFERENCES |
unimportant Title |
Index, |
Pages |
348. |