Modernists & mavericks : (Record no. 27287)

000 -LEADER
fixed length control field 05628nam a2200937 i 4500
001 - CONTROL NUMBER
control field 99108774793506421
003 - CONTROL NUMBER IDENTIFIER
control field KOHA
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20220427100425.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220407s2018 enka 001 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780500239773
Qualifying information (hardback)
040 ## - CATALOGING SOURCE
Original cataloging agency ERASA
Language of cataloging eng
Transcribing agency ERASA
Modifying agency YDX
-- QGJ
-- CDX
-- TR-IsMEF
Description conventions rda
041 0# - LANGUAGE CODE
Language code of text/sound track or separate title eng
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ND470
Item number .G39 2018
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Gayford, Martin,
Dates associated with a name 1952-,
Relator term author.
245 10 - TITLE STATEMENT
Title Modernists & mavericks :
Remainder of title Bacon, Freud, Hockney & the London painters /
Statement of responsibility, etc. Martin Gayford.
250 ## - EDITION STATEMENT
Edition statement Reprinted 2018.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Thames & Hudson Ltd,
Date of production, publication, distribution, manufacture, or copyright notice 2018.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2018
300 ## - PHYSICAL DESCRIPTION
Extent 352 pages :
Other physical details illustrations, photographs ;
Dimensions 25 cm.
336 ## - CONTENT TYPE
Content type term text
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 344-345) and index(348-352).
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 1. Young Lucian: Art in Wartime London.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 2. Pope Francis.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 3. Euston Road in Camberwell.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 4. Spirit in the Mass: the Borough Polytechnic.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 5. Girl with Roses.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 6. Leaping into the Void.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 7. Life into Art: Bacon and Freud in the 1950s.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 8. Two Climbers Roped Together.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 9. What Makes the Modern Home so Different?.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 10. An Arena in which to Act.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 11. The Situation in London, 1960.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 12. The Artist Thinks: Hockney and his Contemporaries.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 13. The Grin without the Cat: Bacon and Freud in the 1960s.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 14. American Connections.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 15. Mysterious Conventionality.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 16. Portrait Surrounded by Artistic Devices.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 17. Shimmering and Dissolving.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 18. The Non-Existence of Acton.
520 0# - SUMMARY, ETC.
Summary, etc Martin Gayford’s masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselves<br/><br/>The development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitaj’s proposal, made in 1976, that there was a “substantial School of London” was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley.<br/><br/>Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.<br/><br/>100+ illustrations, 70 in color--backover.
Uniform Resource Identifier <a href="https://www.amazon.com/Modernists-Mavericks-Hockney-London-Painters/dp/0500239770">https://www.amazon.com/Modernists-Mavericks-Hockney-London-Painters/dp/0500239770</a>
600 1# - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Bacon, Francis,
Dates associated with a name 1909-1992
600 1# - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Freud, Lucian,
600 1# - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Hockney, David,
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting, English,
Geographic subdivision England
-- London
Chronological subdivision 20th century
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Intellectual life
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name London (England)
General subdivision Intellectual life
Chronological subdivision 20th century
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name London (England)
900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA]
Personal name MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules
910 ## - USER-OPTION DATA (OCLC)
User-option data Pandora
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Books
970 01 - REFERENCES
unimportant Title Contents.
970 01 - REFERENCES
unimportant Title Introduction,
Pages 6.
970 11 - REFERENCES
Chapters 1
Title of a work Young Lucian: Art in Wartime London,
Pages 11.
970 11 - REFERENCES
Chapters 2
Title of a work Pope Francis,
Pages 22.
970 11 - REFERENCES
Chapters 3
Title of a work Euston Road in Camberwell,
Pages 40.
970 11 - REFERENCES
Chapters 4
Title of a work Spirit in the Mass: the Borough Polytechnic,
Pages 59.
970 11 - REFERENCES
Chapters 5
Title of a work Girl with Roses,
Pages 69.
970 11 - REFERENCES
Chapters 6
Title of a work Leaping into the Void,
Pages 88.
970 11 - REFERENCES
Chapters 7
Title of a work Life into Art: Bacon and Freud in the 1950s,
Pages 107.
970 11 - REFERENCES
Chapters 8
Title of a work Two Climbers Roped Together,
Pages 125.
970 11 - REFERENCES
Chapters 9
Title of a work What Makes the Modern Home so Different?,
Pages 137.
970 11 - REFERENCES
Chapters 10
Title of a work An Arena in which to Act,
Pages 158.
970 11 - REFERENCES
Chapters 11
Title of a work The Situation in London, 1960,
Pages 175.
970 11 - REFERENCES
Chapters 12
Title of a work The Artist Thinks: Hockney and his Contemporaries,
Pages 194.
970 11 - REFERENCES
Chapters 13
Title of a work The Grin without the Cat: Bacon and Freud in the 1960s,
Pages 206.
970 11 - REFERENCES
Chapters 14
Title of a work American Connections,
Pages 225.
970 11 - REFERENCES
Chapters 15
Title of a work Mysterious Conventionally,
Pages 246.
970 11 - REFERENCES
Chapters 16
Title of a work Portrait Surrounded by Artistic Devices,
Pages 267.
970 11 - REFERENCES
Chapters 17
Title of a work Shimmering and Dissolving,
Pages 290.
970 11 - REFERENCES
Chapters 18
Title of a work The Non-Existence of Acton,
Pages 313.
970 01 - REFERENCES
unimportant Title Epilogue,
Pages 334.
970 01 - REFERENCES
unimportant Title Notes,
Pages 340.
970 01 - REFERENCES
unimportant Title Bibliography,
Pages 344.
970 01 - REFERENCES
unimportant Title Picture Credits,
Pages 346.
970 01 - REFERENCES
unimportant Title Acknowledgments,
Pages 347.
970 01 - REFERENCES
unimportant Title Index,
Pages 348.
Holdings
Not for loan Currency
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