000 -LEADER |
fixed length control field |
04994nam a2200649 i 4500 |
001 - CONTROL NUMBER |
control field |
011136180 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
UkOxU |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20241128111912.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220420s1994 maua 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
LC 94-33012 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780262121828 |
Qualifying information |
(hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780262621052 |
Qualifying information |
(paperback) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
TR-IsMEF |
Language of cataloging |
eng |
Transcribing agency |
TR-IsMEF |
Description conventions |
rda |
Modifying agency |
TR-IsMEF |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
NA737.L96 |
Item number |
A3 1994 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Lyndon, Donlyn, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Chambers for a memory palace / |
Statement of responsibility, etc. |
Donlyn Lyndon and Charles W. Moore ; with illustrations by the authors. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Cambridge, Massachusetts : |
Name of producer, publisher, distributor, manufacturer |
MIT Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
1994. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Date of production, publication, distribution, manufacture, or copyright notice |
©1994 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xiv, 322 pages : |
Other physical details |
illustrations ; |
Dimensions |
22 cm. |
336 ## - CONTENT TYPE |
Source |
rdacontent |
Content type term |
text |
337 ## - MEDIA TYPE |
Source |
rdamedia |
Media type term |
unmediated |
338 ## - CARRIER TYPE |
Source |
rdacarrier |
Carrier type term |
volume |
500 ## - GENERAL NOTE |
General note |
Includes index (pages 311-322). |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Themes. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Compositions. |
520 0# - SUMMARY, ETC. |
Summary, etc |
Summary<br/>This ode to the spirit of place consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations.<br/><br/>This collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations—the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed. Chambers for a Memory Palace consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. Each of the book's chapters forms a chamber, and each chamber is inscribed with personal observations on the composition of places and the architectural elements central to each building, garden, court, monument, or open space described. The examples considered in these dialogues range from classic Western tradition to Asian temples and Islamic tombs, from ancient ruins to modern cities. In "Axes that Reach/Paths that Wander," Lyndon and Moore discuss the Cranbrook Academy of Art in Bloomfield Hills, the Taj Mahal in Agra, Vaux le Vicomte in France, the Beverly Hills Civic Center, and the Kimbell Museum in Forth Worth. In "Orchards that Measure/Pilasters that Temper," they consider the rhythmic spacing of elements in the Mosque at Cordoba, the Cathedral at Bourges, the thousand-pillared mandapas of South Indian temples, the facades of Schauspielhaus in Berlin, and the Seagram building in New York City. They use these and many other examples to illustrate the ways in which architecture, experience, and memory intertwine to help us experience events and places. |
Uniform Resource Identifier |
<a href="https://mitpress.mit.edu/books/chambers-memory-palace">https://mitpress.mit.edu/books/chambers-memory-palace</a> |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Moore, Charles W., |
Dates associated with a name |
1925-1993 |
General subdivision |
Correspondence. |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Lyndon, Donlyn, |
General subdivision |
Correspondence. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Architects |
Geographic subdivision |
United States |
General subdivision |
Correspondence |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Architecture |
General subdivision |
Composition, proportion, etc. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Moore, Charles W., |
Dates associated with a name |
1925-1993. |
Relator term |
author |
-- |
illustrator. |
900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
Personal name |
MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules |
910 ## - USER-OPTION DATA (OCLC) |
User-option data |
Pandora |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Books |
Koha issues (borrowed), all copies |
1 |
970 01 - REFERENCES |
unimportant Title |
Acknowledgments, |
Pages |
ix. |
970 01 - REFERENCES |
unimportant Title |
Introduction, |
Pages |
xi. |
970 12 - REFERENCES |
Title of a work |
Themes. |
970 11 - REFERENCES |
Chapters |
1 |
Title of a work |
Axes that reach / paths that wander, |
Pages |
2. |
970 11 - REFERENCES |
Chapters |
2 |
Title of a work |
Orchards that measure / pilasters that temper, |
Pages |
28. |
970 11 - REFERENCES |
Chapters |
3 |
Title of a work |
Platforms that separate / slopes that join / stairs that climb and pause, |
Pages |
50. |
970 11 - REFERENCES |
Chapters |
4 |
Title of a work |
Borders that control / walls that layer / pockets that offer choice and change, |
Pages |
78. |
970 11 - REFERENCES |
Chapters |
5 |
Title of a work |
Openings that frame / portals that bespeak, |
Pages |
98. |
970 11 - REFERENCES |
Chapters |
6 |
Title of a work |
Roofs that encompass / canopies that center, |
Pages |
122. |
970 11 - REFERENCES |
Chapters |
7 |
Title of a work |
Markers that command / allies that inhabit, |
Pages |
148. |
970 11 - REFERENCES |
Chapters |
8 |
Title of a work |
Light that plays / shadow that haunts / shade that lulls, |
Pages |
176. |
970 12 - REFERENCES |
Title of a work |
Compositions. |
970 11 - REFERENCES |
Chapters |
9 |
Title of a work |
Rooms that define / space that leaks up into the light, |
Pages |
192. |
970 11 - REFERENCES |
Chapters |
10 |
Title of a work |
Types that recur / order that comes and goes, |
Pages |
214. |
970 11 - REFERENCES |
Chapters |
11 |
Title of a work |
Shapes that recur / order that comes and goes, |
Pages |
214. |
970 11 - REFERENCES |
Chapters |
12 |
Title of a work |
Gardens that civilize, |
Pages |
252. |
970 11 - REFERENCES |
Chapters |
13 |
Title of a work |
Water that pools and connects, |
Pages |
264. |
970 11 - REFERENCES |
Chapters |
14 |
Title of a work |
Images that motivate, |
Pages |
282. |
970 11 - REFERENCES |
Title of a work |
Postscript: the castello di garngonza, |
Pages |
296. |
970 01 - REFERENCES |
unimportant Title |
Index, |
Pages |
311. |