| 000 -LEADER |
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| fixed length control field |
04273cam a2200589Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
977007 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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170802s19891989mau b 011 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780674639768 |
| Qualifying information |
(paperback) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
TR-IsMEF |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
TR-IsMEF |
| 041 1# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| Language code of original |
ita |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
TR-IsMEF |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
BH39 |
| Item number |
.E2613 1989 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Eco, Umberto, |
| Dates associated with a name |
1932-2016, |
| Relator term |
author. |
| 240 10 - UNIFORM TITLE |
|---|
| Uniform title |
Essays. |
| Form subheading |
Selections. |
| Language of a work |
English |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The open work / |
| Statement of responsibility, etc. |
Umberto Eco ; translated by Anna Cancogni ; with an introduction by David Robey. |
| 264 1# - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Cambridge, Mass. : |
| Name of producer, publisher, distributor, manufacturer |
Harvard University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
1989. |
| 264 4# - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
©1989 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxxii, 285 pages ; |
| Dimensions |
24 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Translation of: Opera aperta, and other essays. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The poetics of the open work -- Analysis of poetic language -- Openness, information, communication -- The open work in the visual arts -- Chance and plot: television and aesthetics -- Form as social commitment -- Form and interpretation in Luigi Pareyson's aesthetics -- Two hypotheses about the death of art -- The structure of bad taste -- Series and structure -- The death of the Gruppo. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
More than twenty years after its original appearance in Italian, The Open Work remains significant for its powerful concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its striking anticipation of two major themes of contemporary literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interactive process between reader and text. The questions Umberto Eco raises, and the answers he suggests, are intertwined in the continuing debate on literature, art, and culture in general. This entirely new edition, edited for the English-language audience with the approval of Eco himself, includes an authoritative introduction by David Robey that explores Eco's thought at the period of The Open Work, prior to his absorption in semiotics. The book now contains key essays on Eco's mentor Luigi Pareyson, on television and mass culture, and on the politics of art. Harvard University Press will publish separately and simultaneously the extended study of James Joyce that was originally part of The Open Work, entitled The Aesthetics of Chaosmos: The Middle Ages of James Joyce. The Open Work explores a set of issues in aesthetics that remain central to critical theory, and does so in a characteristically vivid style. Eco's convincing manner of presenting ideas and his instinct for the lively example are threaded compellingly throughout. This book is at once a major treatise in modern aesthetics and an excellent introduction to Eco's thought. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Joyce, James, |
| Dates associated with a name |
1882-1941 |
| General subdivision |
Criticism and interpretation |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Wiener, Norbert, |
| Dates associated with a name |
1894-1964 |
| 650 0# - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Aesthetics |
| 650 0# - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Poetry |
| 650 0# - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Semiotics |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cancogni, Anna, |
| Relator term |
translator. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Robey, David, |
| Relator term |
author of introduction. |
| 730 02 - ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Essays. |
| Form subheading |
Selections. |
| Language of a work |
English |
| 900 ## - EQUIVALENCE OR CROSS-REFERENCE-PERSONAL NAME [LOCAL, CANADA] |
|---|
| Personal name |
MEF Üniversitesi Kütüphane katalog kayıtları RDA standartlarına uygun olarak üretilmektedir / MEF University Library Catalogue Records are Produced Compatible by RDA Rules |
| 920 ## - - |
|---|
| - |
İnceoğlu, Arda, |
| -- |
donor. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Books |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Introduction by David Robey , |
| Pages |
vii. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
The poetics of the open work, |
| Pages |
1. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Analysis of poetic language, |
| Pages |
24. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Openness, information, communication, |
| Pages |
44. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
The open work in the visual arts, |
| Pages |
84. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Chance and plot: television and aesthetics, |
| Pages |
105. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Form as social commitment, |
| Pages |
123. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Form and interpretation in Luigi Pareyson's aesthetics, |
| Pages |
158. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Two hypotheses about the death of art, |
| Pages |
167. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
The structure of bad taste, |
| Pages |
180. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
Series and structure, |
| Pages |
217. |
| 970 11 - REFERENCES |
|---|
| Title of a work |
The death of the gruppo 63, |
| Pages |
236. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Notes, |
| Pages |
251. |
| 970 01 - REFERENCES |
|---|
| unimportant Title |
Index, |
| Pages |
277. |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
KOHA |
| 730 02 - ADDED ENTRY--UNIFORM TITLE |
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| -- |
3809 |