Beaver, John Ellis, 1963-
The physics and art of photography. Volume 2, Energy and color / Energy and color. John Beaver. - 1 online resource (various pagings) : illustrations (some color). - [IOP release 5] IOP concise physics, 2053-2571 . - IOP (Series). Release 5. IOP concise physics. .
"Version: 20181101"--Title page verso. "A Morgan & Claypool publication as part of IOP Concise Physics"--Title page verso.
Includes bibliographical references.
part I. Energy and photography. 1. The nature of energy -- 1.1. Energy transfer 2. Energy and exposure -- 2.1. Defining our terms -- 2.2. Tracing the energy from source to camera -- 2.3. The Jones-Condit equation 3. Shutter speed and aperture -- 3.1. Power and shutter speed -- 3.2. Aperture and focal ratio 4. Density and the elements of exposure -- 4.1. Reciprocity and exposure -- 4.2. Camera settings -- 4.3. Choosing between equivalent settings -- 4.4. Exposure value (EV) 5. Metering -- 5.1. Direct-read versus null meters -- 5.2. Reflected-light metering -- 5.3. Incident-light metering -- 5.4. Flash 6. VLS detector photography -- 6.1. An exposure benchmark for VLS photography -- 6.2. VLS photography in context 7. Ephemeral-process (EP) and cyanonegative photography -- 7.1. Cyanonegative and EP wavelength response -- 7.2. Cyanonegative photography -- 7.3. Ephemeral process (EP) photography -- 7.4. Using EP photography to test the Jones-Condit equation part II. The art and science of color. 8. The physical basis of color -- 8.1. Spectra and sources of light -- 8.2. Color, light sources and light detectors -- 8.3. The reflection curve and the reflected-light spectrum -- 8.4. Physical causes of 9. The physiological basis of color -- 9.1. The three-color model of color perception -- 9.2. Additive and subtractive colors -- 9.3. RGB color arithmetic 10. The psychological basis of color -- 10.1. The opponent-process model of color perception -- 10.2. Yellow without yellow -- 10.3. Seeing and context -- 10.4. HSV and HSL -- 10.5. HSV and RGB 11. Filters -- 11.1. Filters and black and white photography -- 11.2. Filters and color photography -- 11.3. Polarizing filters 12. 'Color' in astronomy -- 13. Color experiments with EP photography.
This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the top
Beginning/undergraduate, appropriate for all levels.
Mode of access: World Wide Web.
System requirements: Adobe Acrobat Reader, EPUB reader, or Kindle reader.
John Beaver is a Professor of Physics and Astronomy at the Fox Valley Campus of University of Wisconsin Oshkosh, where he teaches physics, astronomy, photography and interdisciplinary courses. He earned his BS in physics and astronomy in 1985 fr
9781643273440 9781643273426
10.1088/2053-2571/aae504 doi
Physical optics.
Photography, Artistic.
Optical physics.
SCIENCE / Physics / Optics & Light.
QC395.2 / .B437 2018eb vol. 2
535.2
The physics and art of photography. Volume 2, Energy and color / Energy and color. John Beaver. - 1 online resource (various pagings) : illustrations (some color). - [IOP release 5] IOP concise physics, 2053-2571 . - IOP (Series). Release 5. IOP concise physics. .
"Version: 20181101"--Title page verso. "A Morgan & Claypool publication as part of IOP Concise Physics"--Title page verso.
Includes bibliographical references.
part I. Energy and photography. 1. The nature of energy -- 1.1. Energy transfer 2. Energy and exposure -- 2.1. Defining our terms -- 2.2. Tracing the energy from source to camera -- 2.3. The Jones-Condit equation 3. Shutter speed and aperture -- 3.1. Power and shutter speed -- 3.2. Aperture and focal ratio 4. Density and the elements of exposure -- 4.1. Reciprocity and exposure -- 4.2. Camera settings -- 4.3. Choosing between equivalent settings -- 4.4. Exposure value (EV) 5. Metering -- 5.1. Direct-read versus null meters -- 5.2. Reflected-light metering -- 5.3. Incident-light metering -- 5.4. Flash 6. VLS detector photography -- 6.1. An exposure benchmark for VLS photography -- 6.2. VLS photography in context 7. Ephemeral-process (EP) and cyanonegative photography -- 7.1. Cyanonegative and EP wavelength response -- 7.2. Cyanonegative photography -- 7.3. Ephemeral process (EP) photography -- 7.4. Using EP photography to test the Jones-Condit equation part II. The art and science of color. 8. The physical basis of color -- 8.1. Spectra and sources of light -- 8.2. Color, light sources and light detectors -- 8.3. The reflection curve and the reflected-light spectrum -- 8.4. Physical causes of 9. The physiological basis of color -- 9.1. The three-color model of color perception -- 9.2. Additive and subtractive colors -- 9.3. RGB color arithmetic 10. The psychological basis of color -- 10.1. The opponent-process model of color perception -- 10.2. Yellow without yellow -- 10.3. Seeing and context -- 10.4. HSV and HSL -- 10.5. HSV and RGB 11. Filters -- 11.1. Filters and black and white photography -- 11.2. Filters and color photography -- 11.3. Polarizing filters 12. 'Color' in astronomy -- 13. Color experiments with EP photography.
This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the top
Beginning/undergraduate, appropriate for all levels.
Mode of access: World Wide Web.
System requirements: Adobe Acrobat Reader, EPUB reader, or Kindle reader.
John Beaver is a Professor of Physics and Astronomy at the Fox Valley Campus of University of Wisconsin Oshkosh, where he teaches physics, astronomy, photography and interdisciplinary courses. He earned his BS in physics and astronomy in 1985 fr
9781643273440 9781643273426
10.1088/2053-2571/aae504 doi
Physical optics.
Photography, Artistic.
Optical physics.
SCIENCE / Physics / Optics & Light.
QC395.2 / .B437 2018eb vol. 2
535.2